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Informationen zum Autor Sinclair Lewis (1885-1951) won the Nobel Prize for literature in 1930, the first American novelist to be so honored. He was born in Sauk Centre, Minnesota, the son of a doctor. After an extremely unhappy childhood, he went to Yale but left before graduation to work in Upton Sinclair’s socialist colony at Helicon Hall in Englewood, New Jersey. Unable to make a living as a freelance writer, he returned to Yale and graduated in 1908. In 1914 he published his first novel, Our Mr. Wrenn: The Romantic Adventures of a Gentle Man. But it was not until his sixth novel, Main Street (1920), that he won recognition as an important American novelist, the first to challenge the myth of the happy quintessentially American small town. His major works are Babbitt (1922), Arrowsmith (1925), which won a Pulitzer Prize that Lewis refused to accept, Elmer Gantry (1927), Dodsworth (1929), and It Can’t Happen Here (1935), which he also wrote as a play in 1936. Married and divorced twice, the second time to pioneering newspaperwoman Dorothy Thompson, Lewis was a prolific writer, publishing dozens of books and innumerable articles throughout his career. He died alone in Rome on January 10, 1951, and his ashes were returned to Sauk Centre, the “Main Street” he’d rejected so many decades before but which in death took him back as its own. Klappentext The first of Sinclair Lewis's great successes, Main Street shattered the sentimental American myth of happy small-town life with its satire of narrow-minded provincialism. Reflecting his own unhappy childhood in Sauk Centre, Minnesota, Lewis's sixth novel attacked the conformity and dullness he saw in midwestern village life. Young college graduate Carol Milford moves from the city to tiny Gopher Prairie after marrying the local doctor, and tries to bring culture to the small town. But her efforts to reform the prairie village are met by a wall of gossip, greed, conventionality, pitifully unambitious cultural endeavors, and—worst of all—the pettiness and bigotry of small-town minds. Lewis's portrayal of a marriage torn by disillusionment and a woman forced into compromises is at once devastating social satire and persuasive realism. His subtle characterizations and intimate details of small-town America make Main Street a complex and compelling work and established Lewis as an important figure in twentieth-century American literature. Chapter One ON A hill by the Mississippi where Chippewas camped two generations ago, a girl stood in relief against the cornflower blue of Northern sky. She saw no Indians now; she saw flour-mills and the blinking windows of skyscrapers in Minneapolis and St. Paul. Nor was she thinking of squaws and portages, and the Yankee fur-traders whose shadows were all about her. She was meditating upon walnut fudge, the plays of Brieux, the reasons why heels run over, and the fact that the chemistry instructor had stared at the new coiffure which concealed her ears. A breeze which had crossed a thousand miles of wheatlands bellied her taffeta skirt in a line so graceful, so full of animation and moving beauty, that the heart of a chance watcher on the lower road tightened to wistfulness over her quality of suspended freedom. She lifted her arms, she leaned back against the wind, her skirt dipped and flared, a lock blew wild. A girl on a hilltop; credulous, plastic, young; drinking the air as she longed to drink life. The eternal aching comedy of expectant youth. It is Carol Milford, fleeing for an hour from Blodgett College. The days of pioneering, of lassies in sunbonnets, and bears killed with axes in piney clearings, are deader now than Camelot; and a rebellious girl is the spirit of that bewildered empire called the American Middlewest. Chapter Two Blodgett College is on the edge of Minneapolis. It is a bulwark ...
