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Zusatztext "Madame Bovary is like the railroad stations erected in its epoch: graceful! even floral! but cast of iron." -- John Updike Informationen zum Autor Gustave Flaubert Klappentext This exquisite novel tells the story of one of the most compelling heroines in modern literature--Emma Bovary. " Madame Bovary has a perfection that not only stamps it, but that makes it stand almost alone; it holds itself with such a supreme unapproachable assurance as both excites and defies judgement." - Henry James Unhappily married to a devoted, clumsy provincial doctor, Emma revolts against the ordinariness of her life by pursuing voluptuous dreams of ecstasy and love. But her sensuous and sentimental desires lead her only to suffering corruption and downfall. A brilliant psychological portrait, Madame Bovary searingly depicts the human mind in search of transcendence. Who is Madame Bovary? Flaubert's answer to this question was superb: "Madame Bovary, c'est moi." Acclaimed as a masterpiece upon its publication in 1857, the work catapulted Flaubert to the ranks of the world's greatest novelists. This volume, with its fine translation by Lowell Bair, a perceptive introduction by Leo Bersani, and a complete supplement of essays and critical comments, is the indispensable Madame Bovary . Leseprobe Part One We were in study hall when the headmaster walked in, followed by a new boy not wearing a school uniform, and by a janitor carrying a large desk. Those who were sleeping awoke, and we all stood up as though interrupting our work. The headmaster motioned us to sit down, then turned to the teacher and said softly, "Monsieur Roger, I'm placing this pupil in your care. He'll begin in the eighth grade, but if his work and conduct are good enough, he'll be promoted to where he ought to be at his age." The newcomer hung back in the corner behind the door, so that we could hardly see him. He was a country boy of about fifteen, taller than any of us. He wore his hair cut straight across the forehead, like a cantor in a village church, and he had a gentle, bewildered look. Although his shoulders were not broad, his green jacket with black buttons was apparently too tight under the arms, and the slits of its cuffs revealed red wrists accustomed to being bare. His legs, sheathed in blue stockings, protruded from his yellowish trousers, which were pulled up tight by a pair of suspenders. He wore heavy, unpolished, hobnailed shoes. We began to recite our lessons. He concentrated all his attention on them, as though listening to a sermon, not daring even to cross his legs or lean on his elbow, and when the bell rang at two o'clock the teacher had to tell him to line up with the rest of us. When we entered a classroom we always tossed our caps on the floor, to free our hands; as soon as we crossed the threshold we would throw them under the bench so hard that they struck the wall and raised a cloud of dust; this was "the way it should be done." But the new boy either failed to notice this maneuver or was too shy to perform it himself, for he was still holding his cap on his lap at the end of the prayer. It was a head-gear of composite nature, combining elements of the busby, the lancer cap, the round hat, the otter-skin cap and the cotton nightcap--one of those wretched things whose mute ugliness has great depths of expression, like an idiot's face. Egg-shaped and stiffened by whalebone, it began with three rounded bands, followed by alternating diamond-shaped patches of velvet and rabbit fur separated by a red stripe, and finally there was a kind of bag terminating in a cardboard-lined polygon covered with complicated braid. A network of gold wire was attached to the top of this polygon by a long, extremely thin cord, forming a kind of tassel. The cap was new; its visor was shiny. "Stand up," said the teacher....