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Informationen zum Autor Elizabeth Harris was the Curator of Graphic Arts in the Smithsonian Institution's National Museum of American History. She received an Individual Laureate from the American Printing History Association in honor of her accomplishments in the field in 2006. Klappentext This complete, definitive, and richly illustrated survey of small nineteenth-century printing presses, written by a former curator at the Smithsonian Institution, is the first history of these machines. There was, in those days, a small printing press for every purpose. And there were innumerable boys and men eager to make their fortunes by investing in one, printing for a local clientele, and, with luck, building a printing or publishing empire. Printing was the most widespread, and competitive business of nineteenth-century America. Every city had not only its big presses for printing catalogues, books, and newspapers, but also countless smaller presses for printing small jobs ¿ the pamphlets, posters, handbills, stationery, cards, and tickets that gave the century so much of its color. Several of the names we now count as giants of the publishing industry: Scribner, Doubleday, George Houghton of Houghton Mifflin, and Donald Brace of Harcourt Brace started out not as publishers, but as small-job printers, running their own shops and working humble, everyday, manually-operated presses. Zusammenfassung This complete, definitive, and richly illustrated survey of small nineteenth-century printing presses, written by a former curator at the Smithsonian Institution, is the first history of these machines. There was, in those days, a small printing press for every purpose. And there were innumerable boys and men eager to make their fortunes by investing in one, printing for a local clientele, and, with luck, building a printing or publishing empire. Printing was the most widespread, and competitive business of nineteenth-century America. Every city had not only its big presses for printing catalogues, books, and newspapers, but also countless smaller presses for printing small jobs – the pamphlets, posters, handbills, stationery, cards, and tickets that gave the century so much of its color. Several of the names we now count as giants of the publishing industry: Scribner, Doubleday, George Houghton of Houghton Mifflin, and Donald Brace of Harcourt Brace started out not as publishers, but as small-job printers, running their own shops and working humble, everyday, manually-operated presses. ...
