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Zusatztext "His style touches sublimity."—T.S. Eliot Informationen zum Autor Rosellen Brown is the author of Half a Heart, The Autobiography of My Mother, Tender Mercies and Before and After . She lives in Chicago. Klappentext Jude's story -- his futile desire to better himself through education, his failed marriage and doomed love for the free-spirited Sue Bridehead -- shows with heartbreaking clarity the devastating effects of prejudice and oppression upon innocent minds, and forms a passionate plea for tolerance. Because of its frank treatment of human sexuality and its unflinching fatalism, Jude the Obscure aroused such a storm of controversy upon its publication in 1895 that, partly in response, Thomas Hardy abandoned the art of novel-writing altogether and devoted the rest of his life to poetry. Though we have come a long way in our social attitudes in the ensuing century, nothing about Hardy's masterpiece has lost its power to shock us and disturb our dreams. Part First at Marygreen “Yea, many there be that have run out of their wits for women, and become servants for their sakes. Many also have perished, have erred, and sinned, for women. . . . O ye men, how can it be but women should be strong, seeing they do thus?” —Esdras. I.-i. The schoolmaster was leaving the village, and everybody seemed sorry. The miller at Cresscombe1 lent him the small white tilted cart and horse to carry his goods to the city of his destination, about twenty miles off, such a vehicle proving of quite sufficient size for the departing teacher’s effects. For the schoolhouse had been partly furnished by the managers, and the only cumbersome article possessed by the master, in addition to the packing-case of books, was a cottage piano that he had bought at an auction during the year in which he thought of learning instrumental music. But the enthusiasm having waned he had never acquired any skill in playing, and the purchased article had been a perpetual trouble to him ever since in moving house. The rector had gone away for the day, being a man who disliked the sight of changes. He did not mean to return till the evening, when the new school-teacher would have arrived and settled in, and everything would be smooth again. The blacksmith, the farm bailiff, and the schoolmaster himself were standing in perplexed attitudes in the parlour before the instrument. The master had remarked that even if he got it into the cart he should not know what to do with it on his arrival at Christminster, the city he was bound for, since he was only going into temporary lodgings just at first. A little boy of eleven, who had been thoughtfully assisting in the packing, joined the group of men, and as they rubbed their chins he spoke up, blushing at the sound of his own voice: “Aunt have got a great fuel-house, and it could be put there, perhaps, till you’ve found a place to settle in, sir.” “A proper good notion,” said the blacksmith. It was decided that a deputation should wait on the boy’s aunt—an old maiden resident—and ask her if she would house the piano till Mr. Phillotson should send for it. The smith and the bailiff started to see the practicability of the suggested shelter, and the boy and the schoolmaster were left standing alone. “Sorry I am going, Jude?” asked the latter kindly. Tears rose into the boy’s eyes, for he was not among the regular day scholars, who came unromantically close to the schoolmaster’s life, but one who had attended the night school only during the present teacher’s term of office. The regular scholars, if the truth must be told, stood at the present moment afar off, like certain historic disciples, indisposed to any enthusiastic volunteering of aid. The boy awkwardly opened the book he held in his hand, which Mr. Phillotson had bestowed on him as a parting gift, and admitted that he was sorry....
