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Explores this complementary relationship from two angles, psychiatrists who have studied the movies and movies that have depicted psychiatry. This second edition has updated this definitive text with a discussion of new trends in psychoanalytically oriented film theory, and an expanded list of movies is analyzed.
List of contents
Foreword. Preface. Introduction. Part 1. The Psychiatrist in the Movies. Typology, mythology, ideology. The alienist, the quack, and the oracle. Golden age. The fall from grace. The female psychotherapist in the movies. Clinical implications. Part 2. The Psychiatrist at the Movies. Methodology and psychoanalytic film criticism. Play it again, Sigmund: psychoanalytic approaches to the classic hollywood text. 3 Women: Robert Altman's dream world. Narcissism in the cinema I: the cinematic autobiography. Narcissism in the cinema II: the celebrity. Alien and Melanie Klein's night music. Phallic women in the contemporary cinema. Epilogue. Filmography. References. Index.
About the author
Glen O. Gabbard, M.D., is Professor and Director of the Baylor Psychiatry Clinic at the Baylor College of Medicine and Training and Supervising Analyst at the Houston-Galveston Psychoanalytic Institute in Houston, Texas. He was previously Director of the Menninger Hospital in Topeka, Kansas. Dr. Gabbard is the author or editor of sixteen books and currently is joint Editor-in-Chief and Editor for North America of the International Journal of Psychoanalysis. His numerous awards include the 2000 Mary Sigourney Award for outstanding contributions to psychoanalysis. Krin Gabbard, Ph.D., teaches film, literature, and cultural studies at the State University of New York at Stony Brook. He is author of Jammin' at the Margins: Jazz and the American Cinema (1996) and editor of Jazz Among the Discourses (1995) and Representing Jazz (1995). He is currently working on a book about movies, masculinity, and music.
Summary
Psychiatry and the Cinema explores this complementary relationship from two angles, psychiatrists who have studied the movies and movies that have depicted psychiatry. This second edition has updated this definitive text with a discussion of new trends in psychoanalytically oriented film theory, and an expanded list of movies is analyzed.
