Read more
Zusatztext "One of the most comprehensive biographies of entertainment icon Judy garland to date ... Clarke's skills as a storyteller make Garland's tale read like a heartbreaking novel." -- US Weekly "A compelling read ... in a big! gutsy biography!Gerald Clarke brings insight and fresh detail to Judy Garland's story." -- Entertainment Weekly "The last! best! and only essential account." -- The Philadelphia Inquirer Informationen zum Autor Gerald Clarke is the author of Capote , the much acclaimed, bestselling biography of Truman Capote. He has also written for many magazines, including Esquire , Architectural Digest , and Time , where for many years he was a senior writer. A native of Los Angeles and a graduate of Yale, he now lives in Bridgehampton, in eastern Long Island, New York. Klappentext She lived at full throttle on stage, screen, and in real life, with highs that made history and lows that finally brought down the curtain at age forty-seven. Judy Garland died over thirty years ago, but no biography has so completely captured her spirit -- and demons -- until now. From her tumultuous early years as a child performer to her tragic last days, Gerald Clarke reveals the authentic Judy in a biography rich in new detail and unprecedented revelations. Based on hundreds of interviews and drawing on her own unfinished -- and unpublished -- autobiography, Get Happy presents the real Judy Garland in all her flawed glory. With the same skill, style, and storytelling flair that made his bestselling Capote a landmark literary biography, Gerald Clarke sorts through the secrets and the scandals, the legends and the lies, to create a portrait of Judy Garland as candid as it is compassionate. Here are her early years, during which her parents sowed the seeds of heartbreak and self-destruction that would plague her for decades ... the golden age of Hollywood, brought into sharp focus with cinematic urgency, from the hidden private lives of the movie world's biggest stars to the cold-eyed businessmen who controlled the machine ... and a parade of brilliant and gifted men -- lovers and artists, impresarios and crooks -- who helped her reach so many creative pinnacles yet left her hopeless and alone after each seemingly inevitable fall. Here, then, is Judy Garland in all her magic and despair: the woman, the star, the legend, in a riveting saga of tragedy, resurrection, and genius. Leseprobe Chapter 14 Liza -- Riding a Whirlwind For every star that rises, another must fall. That was a law as old as Hollywood. Judy knew it -- it was, after all, the theme of A Star Is Born -- and so did everyone else. But how could she have guessed that she herself was destined to stumble? Or that, through a cruel and unsparing irony, her own spectacular decline would be matched, headline for headline, by the no less stunning ascent of her own daughter? For that was, indeed, what happened. "Liza's a Girl Riding a Whirlwind," declared one admiring paper, and while the folks on Rockingham Avenue were scrounging for dollars to buy chili, a fresh, slim Liza was pictured on the front page of the New York Daily News , cavorting on a Riviera beach as she prepared to wow an audience in Paris. Liza had, in fact, been preparing to wow audiences all her life. Making her screen debut when she was only two and a half -- she appeared for a few seconds at the end of In the Good Old Summertime -- she had virtually grown up in M-G-M's magic factory, spending much of her time there even after Judy was fired. She sat in Vincente's lap as he rode his director's boom; she made friends with the actors and technicians; and she spent rapt hours in studio rehearsal halls, watching Fred Astaire, Gene Kelly and Cyd Charisse practice their routines. At home she ...
