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Informationen zum Autor ELIZABETH BELL is Assistant Professor in the Department of Communication at the Unviersity of South Florida. LYNDA HAAS is Assistant Professor in the Writing Program at Ithaca College. LAURA SELLS is a doctoral student in the Department of Communication at the University of South Florida. Klappentext ELIZABETH BELL is Assistant Professor in the Department of Communication at the Unviersity of South Florida.LYNDA HAAS is Assistant Professor in the Writing Program at Ithaca College.LAURA SELLS is a doctoral student in the Department of Communication at the University of South Florida. Zusammenfassung The first critical study of Disney films. Inhaltsverzeichnis Acknowledgments Introduction: Walt's in the Movies-Elizabeth Bell, Lynda Haas, and Laura Sells Section I: Sanitizations/Disney Film as Cultural Pedagogy Breaking the Disney Spell-Jack Zipes Memory and Pedagogy in the "Wonderful World of Disney": Beyond the Politics of Innocence-Henry A. Giroux Pinocchio-Claudia Card Disney Does Dutch: Billy Bathgate and the Disneyficationof the Gangster Genre-Robert Haas The Movie You See, The Movie Don't: How Disney Do's That Old Time Derision-Susan Miller and Greg Rode Section II: Contestations/Disney Film as Gender Construction Somatexts at the Disney Shop: Constructing the Pentimentos of Women's Animated Bodies-Elizabeth Bell "The Whole Wide World was Scribbed Clean": The Androcentric Animation of Denatured Disney-Patrick D. Murphy Bambi-David Payne Beyond Captain Nemo: Disney's Science Fiction-Brian Attebery The Curse of Masculinity: Disney's Beauty and the Beast-Susan Jeffords Section III: Erasures/Disney Film as Identity Politics "Where Do The Mermaids Stand?"Voice and Body in The Little Mermaid-Laura Sells "Eighty-Six the Mother": Murder, Matricide, and Good Mothers-Lynda Haas Spinsters in Sensible Shoes: Mary Poppins and Bedknobs and Broomsticks-Chris Cuomo Pretty Woman Through the Triple Lens of Black Feminist Spectatorship-D.Soyini Madison Pachuco Mickey-Ramona Fernancez Contributors Index ...
List of contents
Acknowledgments
Introduction: Walt's in the Movies-Elizabeth Bell, Lynda Haas, and Laura Sells
Section I: Sanitizations/Disney Film as Cultural Pedagogy
Breaking the Disney Spell-Jack Zipes
Memory and Pedagogy in the "Wonderful World of Disney": Beyond the Politics of Innocence-Henry A. Giroux
Pinocchio-Claudia Card
Disney Does Dutch: Billy Bathgate and the Disneyficationof the Gangster Genre-Robert Haas
The Movie You See, The Movie Don't: How Disney Do's That Old Time Derision-Susan Miller and Greg Rode
Section II: Contestations/Disney Film as Gender Construction
Somatexts at the Disney Shop: Constructing the Pentimentos of Women's Animated Bodies-Elizabeth Bell
"The Whole Wide World was Scribbed Clean": The Androcentric Animation of Denatured Disney-Patrick D. Murphy
Bambi-David Payne
Beyond Captain Nemo: Disney's Science Fiction-Brian Attebery
The Curse of Masculinity: Disney's Beauty and the Beast-Susan Jeffords
Section III: Erasures/Disney Film as Identity Politics
"Where Do The Mermaids Stand?"Voice and Body in The Little Mermaid-Laura Sells
"Eighty-Six the Mother": Murder, Matricide, and Good Mothers-Lynda Haas
Spinsters in Sensible Shoes: Mary Poppins and Bedknobs and Broomsticks-Chris Cuomo
Pretty Woman Through the Triple Lens of Black Feminist Spectatorship-D.Soyini Madison
Pachuco Mickey-Ramona Fernancez
Contributors
Index
