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Informationen zum Autor Brian Friel (9 January 1929 - 2 October 2015) wrote thirty plays across six decades and is widely regarded as one of Ireland's greatest dramatists. He was a member of Aosdána, the society of Irish artists, the American Academy of Arts and Letters, the Irish Academy of Letters, and the Royal Society of Literature where he was made a Companion of Literature. He was awarded the Ulysses Medal by University College, Dublin. Plays include Hedda Gabler (after Ibsen), The Home Place , Performances , Three Plays After (Afterplay, The Bear, The Yalta Game) , Uncle Vanya (after Chekhov), Give Me Your Answer Do! , Molly Sweeney (Winner of the New York Drama Critics Circle Award for Best Foreign Play), Wonderful Tennessee , A Month in the Country (after Turgenev), The London Vertigo (after Charles Macklin), Dancing at Lughnasa (Winner of 3 Tony Awards including Best Play, New York Drama Critics Circle Award for Best Play, Olivier Award for Best Play), Making History , The Communication Cord , American Welcome , Three Sisters (after Chekhov), Translations , Aristocrats (Winner of the Evening Standard Award for Best Play and New York Drama Critics Circle Award for Best Foreign Play), Faith Healer , Fathers and Sons , Living Quarters , Volunteers , The Freedom of the City , The Gentle Island , The Mundy Scheme , Crystal and Fox , Lovers: Winners and Losers , The Loves of Cass Maguire , and Philadelphia Here I Come! Klappentext It is 1936 and harvest time in County Donegal. In a house just outside the village of Ballybeg live the five Mundy sisters, barely making ends meet, their ages ranging from twenty-six up to forty. The two male members of the household are brother Jack, a missionary priest, repatriated from Africa by his superiors after twenty-five years, and the seven-year-old child of the youngest sister. In depicting two days in the life of this menage, Brian Friel evokes not simply the interior landscape of a group of human beings trapped in their domestic situation, but the wider landscape, interior and exterior, Christian and pagan, of which they are nonetheless a part. In Dancing at Lughnasa, Brian Friel brilliantly evokes not simply a family trapped in their domestic situation, but the wider landscape, interior and exterior, Christian and pagan, of which they are a part. Zusammenfassung It is 1936 and harvest time in County Donegal. In a house just outside the village of Ballybeg live the five Mundy sisters, barely making ends meet, their ages ranging from twenty-six up to forty. The two male members of the household are brother Jack, a missionary priest, repatriated from Africa by his superiors after 25 years, and the seven-year-old child of the youngest sister. In depicting two days in the life of this menage, Brian Friel evokes not simply the interior landscape of a group of human beings trapped in their domestic situation, but the wider landscape, interior and exterior, Christian and pagan, of which they are a part. It won the 1991 Olivier Award for Best Play of the Year and the Evening Standard Award for Best Play, the 1992 Tony Award for Best Play and New York Drama Critics' Circle award for Best Play. ...
