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Zusatztext “Wyatt Mason’s translation of Rimbaud’s letters is a swashbuckler of a book! nothing less than a resurrection of a remarkable life. As such! it is a worthy companion to Mason’s fine translation of the poems. No admirer of Rimbaud will want to be without it.” — Arthur Goldhammer ! translator of more than eighty books from the French “These letters! together with the poems! provide as direct a record as possible of what the archetypal bohemian boy-genius did with his gift. They brim with curiosity! ambition! spite! self-pity! and a giant talent; his art is as impervious to time as that of Catullus or Heine. Thanks to Wyatt Mason’s masterly translations! Rimbaud has! after a century and a half! recovered his gift.” — Askold Melnyczuk ! author of What Is Told and Ambassador of the Dead Informationen zum Autor The poetic genius of Arthur Rimbaud (1854–1891) blossomed early and burned briefly. Nearly all of his work was composed when he was in his teens. During the century following his death at thirty-seven, Rimbaud’s work and life have influenced generations of readers and writers. Radical in its day, Rimbaud’s writing took some of the first and most fundamental steps toward the liberation of poetry from the formal constraints of its history, and now represents one of the most powerful and enduring bodies of poetic expression in human history. Wyatt Mason is a contributing editor of Harper’s magazine, where his essays regularly appear. He also writes for The London Review of Books and The New Republic . The Modern Library has published his translations of the complete works of Arthur Rimbaud in two volumes. His translations of Dante’s Vita Nuova and Montaigne’s Essais are in progress. Klappentext One of the most written-about literary figures in the past decade, Arthur Rimbaud left few traces when he abandoned poetry at age twenty-one and disappeared into the African desert. Although the dozen biographies devoted to Rimbaud's life depend on one main source for information—his own correspondence—a complete edition of these remarkable letters has never been published in English. Until now. A moving document of decline, Rimbaud's letters begin with the enthusiastic artistic pronouncements of a fifteen-year-old genius, and end with the bitter what-ifs of a man whose life has slipped disastrously away. But whether soapboxing on the essence of art, or struggling under the yoke of self-imposed exile in the desert of his later years, Rimbaud was incapable of writing an uninteresting sentence. As translator and editor Wyatt Mason makes clear in his engaging Introduction, the letters reveal a Rimbaud very different from our expectations. Rimbaud—presented by many biographers as a bohemian wild man—is unveiled as "diligent in his pursuit of his goals . . . wildly, soberly ambitious, in poetry, in everything.” I Promise to Be Good: The Letters of Arthur Rimbaud is the second and final volume in Mason's authoritative presentation of Rimbaud's writings. Called by Edward Hirsch "the definitive translation for our time,” Mason's first volume, Rimbaud Complete (Modern Library, 2002), brought Rimbaud's poetry and prose into vivid focus. In I Promise to Be Good, Mason adds the missing epistolary pieces to our picture of Rimbaud. "These letters,” he writes, "are proofs in all their variety—of impudence and precocity, of tenderness and rage—for the existence of Arthur Rimbaud.” I Promise to Be Good allows English-language readers to see with new eyes one of the most extraordinary poets in history. Leseprobe Chapter 1 NOTE LEFT IN THE MAILBOX OF GEORGES IZAMBARD [Charleville; undated, most likely late winter 1870] If you have, and if you can lend me: (above all)1: Historical Curiosities, volume one by (I think) Ludovic Lalanne; 2: Bibliographical Curiosities, vo...
