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Informationen zum Autor Rainer Maria Rilke (1875–1926) is one of the greatest lyric German poets. Born in Prague, he published his first book of poems, Leben und Lieber, at age nineteen. He met Lou Salomé, the talented and spirited daughter of a Russian army officer, who influenced him deeply. In 1902 he became a friend, and for a time the secretary, of Rodin, and it was during his twelve-year Paris residence that Rilke enjoyed his greatest poetic activity. In 1919 he went to Switzerland where he spent the last years of his life. It was there that he wrote his last two works, Duino Elegies (1923) and The Sonnets to Orpheus (1923). Stephen Mitchell was born in Brooklyn in 1943 and studied at Amherst, the University of Paris, and Yale. Considered one of the preeminent translators of his generation, he has translated many classic texts including Gilgamesh, The Bhagavad Gita, Tao Te Ching, and The Book of Job. Klappentext The reputation of Rainer Maria Rilke has grown steadily since his death in 1926; today he is widely considered to be the greatest poet of the twentieth century. This Modern Library edition presents Stephen Mitchell's acclaimed translations of Rilke, which have won praise for their re-creation of the poet's rich formal music and depth of thought. "If Rilke had written in English," Denis Donoghue wrote in The New York Times Book Review, "he would have written in this English." Ahead of All Parting is an abundant selection of Rilke's lifework. It contains representative poems from his early collections The Book of Hours and The Book of Pictures; many selections from the revolutionary New Poems, which drew inspiration from Rodin and Cezanne; the hitherto little-known "Requiem for a Friend"; and a generous selection of the late uncollected poems, which constitute some of his finest work. Included too are passages from Rilke's influential novel, The Notebooks of Malte Laurids Brigge, and nine of his brilliant uncollected prose pieces. Finally, the book presents the poet's two greatest masterpieces in their entirety: the Duino Elegies and The Sonnets to Orpheus. "Rilke's voice, with its extraordinary combination of formality, power, speed and lightness, can be heard in Mr. Mitchell's versions more clearly than in any others," said W. S. Merwin. "His work is masterful."FROM The Book of Hours (1905) Ich lebe mein Leben in wachsenden Ringen, die sich über die Dinge ziehn. Ich werde den letzten vielleicht nicht vollbringen, aber versuchen will ich ihn. Ich kreise um Gott, um den uralten Turm, und ich kreise jahrtausendelang; und ich weiß noch nicht: bin ich ein Falke, ein Sturm oder ein großer Gesang. [I live my life in widening rings] I live my life in widening rings which spread over earth and sky. I may not ever complete the last one, but that is what I will try. I circle around God, the primordial tower, and I circle ten thousand years long; and I still don’t know if I’m a falcon, a storm, or an unfinished song. Ich bin, du Ängstlicher. Hörst du mich nicht mit allen meinen Sinnen an dir branden? Meine Gefühle, welche Flügel fanden, umkreisen weiß dein Angesicht. Siehst du nicht meine Seele, wie sie dicht vor dir in einem Kleid aus Stille steht? Reift nicht mein mailiches Gebet an deinem Blicke wie an einem Baum? Wenn du der Träumer bist, bin ich dein Traum. Doch wenn du wachen willst, bin ich dein Wille und werde mächtig aller Herrlichkeit und ründe mich wie eine Sternenstille über der wunderlichen Stadt der Zeit. [I am, O Anxious One. Don’t you hear my voice] I am, O Anxious One. Don’t you hear my voice surging forth with all my earthly feelings? They yearn so high that they have sprouted wings and whitely fly in c...
