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Zusatztext “Roth manages to tease from his subjects the convictions that fuel their work and the vulnerabilities that make them human.... Yet another example of [his] clarity of purpose and singular intelligence.” — The New York Times Book Review “[Roth] brings out something adamantine and irreducible about each of his interlocutors.... Ring[s] with what his readers will recognize as...Rothian intelligence.” — The New York Times “Fascinating glimpses of some of the deans of postwar literature [and] a working diagram of the very engine that makes Roth run.” — Los Angeles Times Book Review Informationen zum Autor PHILIP ROTH won the Pulitzer Prize for American Pastoral . In 1998 he received the National Medal of Arts at the White House and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction. He twice won the National Book Award and the National Book Critics Circle Award. He won the PEN/Faulkner Award three times. In 2005 The Plot Against America received the Society of American Historians' Prize for "the outstanding historical novel on an American theme for 2003-2004." Roth received PEN's two most prestigious awards: in 2006 the PEN/Nabokov Award and in 2007 the PEN/Bellow Award for achievement in American fiction. In 2011 he received the National Humanities Medal at the White House, and was later named the fourth recipient of the Man Booker International Prize. He died in 2018. Klappentext In Philip Roth's intimate intellectual encounters with an international and diverse cast of writers, they explore the importance of region, politics and history in their work and trace the imaginative path by which a writer's highly individualized art is informed by the wider conditions of life. With Primo Levi, Roth discusses the stubborn core of rationality that helped the Italian chemist-writer survive the demented laboratory of Auschwitz. With Milan Kundera, he analyzes the mix of politics and sexuality that made him the most subversive writer in communist Czechoslovakia. With Edna O'Brien, he explores the circumstances that have forced generations of Irish writers into exile. Elsewhere Roth offers appreciative portraits of two friends—the writer Bernard Malamud and the painter Philip Guston—at the end of their careers, and gives us a masterful assessment of the work of Saul Bellow. Intimate, charming, and crackling with ideas about the interplay between imagination and the writer's historical situation, Shop Talk is a literary symposium of the highest level, presided over by America's foremost novelist. Leseprobe Primo Levi [1986] ON THE FRIDAY in September 1986 that I arrived in Turin to renew a conversation with Primo Levi that we had begun one afternoon in London the spring before, I asked to be shown around the paint factory where he'd been employed as a research chemist and, afterward, until retirement, as manager. Altogether the company employs fifty people, mainly chemists who work in the laboratories and skilled laborers on the floor of the plant. The production machinery, the row of storage tanks, the laboratory building, the finished product in man-sized containers ready to be shipped, the reprocessing facility that purifies the wastes--all of it is encompassed in four or five acres seven miles from Turin. The machines that are drying resin and blending varnish and pumping off pollutants are never distressingly loud, the yard's acrid odor--the smell, Levi told me, that clung to his clothing for two years after his retirement--is by no means disgusting, and the thirty-yard Dumpster loaded to the brim with the black sludgy residue of the antipolluting process isn't particularly unsightly. It is hardly the world's ugliest industrial environment, but a long way nonetheless from those sentence...
