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Informationen zum Autor Barbara Bolt lectures at the Victorian College of the Arts at the University of Melbourne, Australia. She is a practising artist and her publications include Art Beyond Representation: The Performative Power of the Image (2004) and Practice as Research: Approaches to Creative Arts Enquiry (edited with Estelle Barrett, I.B.Tauris, 2007, paperback 2010). Klappentext Complex and often intimidating thinker made accessible to the Visual Culture student. Ideal text for student adoptions in Visual Culture, Aesthetics and Philosophy. Vorwort Grounds Heidegger's writings in the critical questions confronting contemporary visual artists and students of art. Barbara Bolt takes the most relevant of his texts, including his most famous work, 'Being and Time', and sets out ways of thinking about art in a post-medium, digital, technocratic and post-human age. Zusammenfassung Grounds Heidegger's writings in the critical questions confronting contemporary visual artists and students of art. Barbara Bolt takes the most relevant of his texts, including his most famous work, 'Being and Time', and sets out ways of thinking about art in a post-medium, digital, technocratic and post-human age. Inhaltsverzeichnis ContentsIntroduction: Heidegger Reframed?Chapter 1: Art and the EverydayChapter 2: Art, Art Business and the Work of ArtChapter 3: RepresentationChapter 4: Art and TechnologyChapter 5: Praxical KnowledgeChapter 6: The Artist and the Posthuman World?Chapter 7: From Aesthetics to EthicsChapter 8: Art as ResearchConclusionReferencesGlossary
