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Informationen zum Autor Peta Motture is Senior Curator of Sculpture at the Victoria and Albert Museum, and was previously Chief Curator of the Medieval & Renaissance Galleries. She has published widely on medieval and later sculpture, specializing primarily in the Italian Renaissance. Motture has co-curated several exhibitions and is curator of the Robert H. Smith Renaissance Sculpture Programme at the V&A. Dr Michelle O'Malley is Reader in Art History at the University of Sussex, where she has also held the position of Director of Research in the School of Humanities. Previously, she was Head of Education for Exhibitions at the Royal Academy of Arts, London. Dr. O'Malley is the author of The Business of Art: Contracts and the Commissioning Process in Renaissance Italy (2005) and The Material Renaissance (co-edited with Evelyn Welch, 2007). Klappentext Inspired by research undertaken for the new Medieval & Renaissance Galleries at the Victoria and Albert Museum, Re-thinking Renaissance Objects explores and often challenges some of the key issues and current debates relating to Renaissance art and culture.* Puts forward original research, including evidence provided by an in-depth study arising from the Medieval & Renaissance Gallery project* Contributions are unusual in their combination of a variety of approaches, but with each paper starting with an examination of the objects themselves* New theories emerge from several papers, some of which challenge current thinking Zusammenfassung Inspired by research undertaken for the new Medieval & Renaissance Galleries at the Victoria and Albert Museum, Re-thinking Renaissance Objects explores and often challenges some of the key issues and current debates relating to Renaissance art and culture.* Puts forward original research, including evidence provided by an in-depth study arising from the Medieval & Renaissance Gallery project* Contributions are unusual in their combination of a variety of approaches, but with each paper starting with an examination of the objects themselves* New theories emerge from several papers, some of which challenge current thinking Inhaltsverzeichnis Notes on contributors ixIntroductionPeta Motture and Michelle O'Malley 11 Finding fame: painting and the making of careers in Renaissance ItalyMichelle O'Malley 92 Set in stone: monumental altar frames in Renaissance FlorenceMeghan Callahan & Donal Cooper 333 Veit Stoss and the origins of collecting of small-scale sculpture before 1500Norbert Jopek 564 New light on a Venetian lantern at the V&ANick Humphrey & Martino Ferrari Bravo 715 Rethinking the Petrucci PavementElizabeth Miller & Alun Graves 946 Dancing, love and the 'beautiful game': a new interpretation of a group of fi fteenth-century 'gaming' boxesPaula Nuttall 1197 Sharing and status: the design and function of a sixteenth-century Spanish spice stand in the Victoria and Albert MuseumKirstin Kennedy 1428 Scattered knives and dismembered song: cutlery, music and the rituals of diningFlora Dennis 156Bibliography 185Index 212...
List of contents
Notes on contributors ix
Introduction
Peta Motture and Michelle O'Malley 1
1 Finding fame: painting and the making of careers in Renaissance Italy
Michelle O'Malley 9
2 Set in stone: monumental altar frames in Renaissance Florence
Meghan Callahan & Donal Cooper 33
3 Veit Stoss and the origins of collecting of small-scale sculpture before 1500
Norbert Jopek 56
4 New light on a Venetian lantern at the V&A
Nick Humphrey & Martino Ferrari Bravo 71
5 Rethinking the Petrucci Pavement
Elizabeth Miller & Alun Graves 94
6 Dancing, love and the 'beautiful game': a new interpretation of a group of fi fteenth-century 'gaming' boxes
Paula Nuttall 119
7 Sharing and status: the design and function of a sixteenth-century Spanish spice stand in the Victoria and Albert Museum
Kirstin Kennedy 142
8 Scattered knives and dismembered song: cutlery, music and the rituals of dining
Flora Dennis 156
Bibliography 185
Index 212
