Fr. 140.00

The Image of Black in Western Art

English · Hardback

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Informationen zum Autor David Bindman is Professor of the History of Art, Emeritus, at University College London. Henry Louis Gates, Jr., is the author of numerous books and has written extensively on the history of race and anti-Black racism in the Enlightenment. His most recent works include Stony the Road and The Black Church . He is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Klappentext In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector's items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones. From the Demonic Threat to the Incarnation of Sainthood , written largely by noted French scholar Jean Devisse, has established itself as a classic in the field of medieval art. It surveys as never before the presence of black people, mainly mythical, in art from the early Christian era to the fourteenth century. The extraordinary transformation of Saint Maurice into a black African saint, the subject of many noble and deeply touching images, is a highlight of this volume. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject. Zusammenfassung Offers commentary and an illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch! Rembrandt! Rubens! and Hogarth to stunning creations by contemporary black artists. ...

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