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Informationen zum Autor Edited by Ignacio Corona and Alejandro L. Madrid - Contributions by Arved Ashby; Chris Dennis; Vanessa Knights; Denilson Lopes; Steven Loza; Cristina Magaldi; Daniel Party; Greg Schelonka; Barry Shank and Helena Simonett Klappentext The interdisciplinary essays gathered in this volume explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. Focusing on the Americas, they cast a new light on the role of music production, distribution, and consumption beyond the traditional paradigms of musical discourse. Inhaltsverzeichnis Chapter 1 Preface Part 2 Part I. Postnational Perspectives in Music Scholarship Chapter 3 Chapter 1. Introduction: The Postnational Turn in Music Scholarship and Music Marketing Chapter 4 Chapter 2. Nationalist and Postnationalist Perspectives in American Musicology Chapter 5 Chapter 3. Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967 Part 6 Part II. A Transnational Caribbean Chapter 7 Chapter 4. The Miamization of Latin-American Pop Music Chapter 8 Chapter 5. Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry Part 9 Part III. Across the U.S.-Mexico Border Chapter 10 Chapter 6. Ideology, Flux, and Identity in Tijuana's Nor-tec Music Chapter 11 Chapter 7. Quest for the Local: Building Musical Ties between Mexico and the United States Chapter 12 Chapter 8. Assimilation, Reclamation, and the Rejection of the Nation-State Chicano Musicians Chapter 13 Chapter 9. RockIn' la Frontera: Mexican Rock, Globalization, and National Identity Part 14 Part IV. South-American Connections Chapter 15 Chapter 10. Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the 20th Century Chapter 16 Chapter 11. The "Afro-Colombianization" of Hip-Hop and Discourses on Authenticity Chapter 17 Chapter 12. Transnational Soundscapes: Ambient Music and Bossatrônica...
