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Zusatztext Reviewed in German in FILMBLATT 46-47, Vol. 16. Informationen zum Autor Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema. Vorwort An incisive and wide-ranging study of Michael Haneke's entire body of work, broadening the scholarship on this highly controversial filmmaker. Zusammenfassung A study of Michael Haneke's entire body of work, broadening the scholarship on this highly controversial filmmaker. It explores how a political manifests itself in his work. Inhaltsverzeichnis Introduction: Framing Haneke1. The Conceptual Frame of Reference2. A Movement Through Haneke's Oeuvre3. A Marriage of Past and Present - The Overcoming of Fassbinder4. Thinking the Event: The Virtual in Michael Haneke5. A New Order: The Method of Madness6. Self/Aggression: Violence in Films by Michael Haneke7. The Moral of the Long Take8. The Funny FrameAppendix: Plot ReviewsFilmographyBibliographyIndex
List of contents
Introduction: Framing Haneke
1. The Conceptual Frame of Reference
2. A Movement Through Haneke's Oeuvre
3. A Marriage of Past and Present - The Overcoming of Fassbinder
4. Thinking the Event: The Virtual in Michael Haneke
5. A New Order: The Method of Madness
6. Self/Aggression: Violence in Films by Michael Haneke
7. The Moral of the Long Take
8. The Funny Frame
Appendix: Plot Reviews
Filmography
Bibliography
Index
Report
Reviewed in German in FILMBLATT 46-47, Vol. 16.
