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Informationen zum Autor Author of four books of poetry and two volumes of conceptual fiction, derek beaulieu's work is consistently praised as some of the most radical and challenging contemporary Canadian writing. Editor and publisher of the acclaimed small presses housepress (1997-2004), dANDelion (2001-2004), and no press (2005-present), beaulieu has spoken and written on poetics internationally. From 2004 to 2007, beaulieu was the Administrative Director at The New Gallery in Calgary, Western Canada's oldest artist-run centre. beaulieu's Fractal Economies includes a cogent and widely-discussed argument for poetry, which works beyond conventional meaning-making and pushes the boundaries of syntax into graphic design, gesture, and collaboration. beaulieu lives in Calgary where he teaches through the Calgary Board of Education and at the University of Calgary. Klappentext This short fiction collection is a paradigm of prosody where writing is sampling, borrowing and cutting-and-pasting, a mash-up meets literature. Zusammenfassung How to Write is a perverse Coles Notes: a paradigm of prosody where writing as sampling, borrowing, cutting-and-pasting and mash-up meets literature. This collection of conceptual short ?ction takes inspiration from Lautréamont’s decree that “plagiarism is necessary. It is implied in the idea of progress. It clasps the author’s sentence tight, uses his expressions, eliminates a false idea, replaces it with the right idea.” Already early in the twentieth century, the modernist Ezra Pound asserted that poets should “make it new,” and of course by “it” he meant “the tradition”: the materiality of pre-existent writing. The assertion is by no means original, much less post-modern: John Donne, for example, argued centuries ago that “all mankind is of one author, and is one volume.” How to Write is an instruction manual for the demise of ownership. A multitudinous dialogue of writers and subjects, words and contexts, it unleashes a cacophony of voices where authors don’t own their words, they merely rent them from other authors. Containing ten pieces of conceptual prose ranging from the purely appropriated through the entirely recomposed, and covering a range of texts from the anonymous to the famous, it includes samplings from, among many others: Lawrence Sterne; Agatha Christie; Bob Kane; Roy Lichtenstein; and every piece of text within one block of the author’s home. Its title story is an exhaustive record of every incidence of the words “write” or “writes” in forty different English-language texts picked aesthetically to represent a disparate number of genres. With How to Write , beaulieu suggests writers and artists would be better served to “make it reframed, make it borrowed, make it re-contextualized.” By recasting the canon with cut-up directions for successful writing, catalogues of events, and lists of vocabulary, he gleefully illustrates Picasso’s dictum that “Good artists copy. Great artists steal.” ...
