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Informationen zum Autor Beth Hinderliter, William Kaizen, Vered Maimon, Jaleh Mansoor, and Seth McCormick, eds. Klappentext A collection of essays that engage Jacques Ranciere's theories in a re-examination of the relationship between contemporary artistic production and politics. Zusammenfassung Argues for a fresh understanding of the relations between politics and aesthetics in a globalized and image-saturated world. Inhaltsverzeichnis Illustrations Acknowledgments vii Introduction 1 Part One. Rethinking Aesthetics Contemporary Art and the Politics of Aesthetics / Jacques Rancière 31 The Romantic Art Work / Alexander Potts 51 From Classical to Postclassical Beauty: Institutional Critique and Aesthetic Enigma in Louise Lawler's Photography / Toni Ross 79 Technologies of Belonging: Sensus Communis, Disidentification / Ranjana Khanna 111 Part Two. Partitioning the Sensible Dada's Event: Paris, 1921 / T. J. Demos 135 Citizen Cursor / David Joselit 153 Mass Customization: Corporate Architecture and the "End" of Politics / Reinhold Martin 172 Post-Communist Notes on Some Vertov Stills / Yates McKee 197 Part Three. The Limits of Community Experimental Communities / Carlos Basualdo and Reinaldo Laddaga 215 Prècaritè, Autoritè, Autonomie / Rachel Haidu 238 Neo-Dada 1951-54: Between the Aesthetics of Persecution and the Politics of Identity / Seth McCormick 267 Thinking Red: Ethical Militance and the Group Subject / Emily Apter 294 Interview with Étienne Balibar 317 Bibliography 337 Contributors 355 Index 359
