Wounds, Flesh, and Metaphor in Seventeenth-Century England

Zusatztext "Covington's study presents a fluently written and engaging analysis of the imagery of this most bloody, fractured, and scarred period of English history." - American Historical Review"Covington carefully combines contemporary linguistic theory and philosophy of the abject with extensive archival research to demonstrate that metaphor, in Paul Ricoeur s words, 'shatter[s] and increase[s] our sense of reality by shattering and increasing our language.' Likewise, this book increases our sense of the reality of early modern woundedness." - Renaissance Quarterly"Wounds, Flesh, and Metaphor is admirably engaging and thoughtful, bringing a new perspective to study of the civil wars of the 1640s...an investigation of language at the very basic levels of speech and description, but worked through a very contemporary historiographical nexus that leads to a very satisfying study." - The Times Higher Education Supplement "Covington probes the development of a pervasive and disturbing figure of speech through a broadly informed and richly detailed analysis of key early modern political and cultural texts. Covington's sophisticated comparison of legal tracts, historical accounts, political polemics,spiritual treatises,and amorous verse shows how they all fuse spectacular images of strength and mutilation in a century of civil war andthus perpetuate and transform older ideas of martyrdom and redemptive suffering." - Richard C. McCoy, Professor of English, Queens College and TheGraduate Center, CUNY and author of Alterations of State: Sacred Kingship in the English Reformation "A fascinating, wide-ranging and - dare I say - penetrating study, combining high theory and close reading with effects so powerful they sometimes distress, even wound." - Diane Purkiss, Keble College, Oxford University and author of Literature, Politics and Gender in the English Civil War Informationen zum Autor SARAH COVINGTON is Associate Professor of History at Queens College, The City University of New York , USA. Klappentext Wounds! Flesh and Metaphor in Seventeenth-Century England explores the theme of physical and symbolic woundedness in mid-seventeenth century English literature. This book demonstrates the ways in which writers attempted to represent the politically and religiously fractured state of the time and re-imagined the nation through language and metaphor in the process. By examining the creative permutations of the wound metaphor! Covington argues for the centrality of the charged imagery! and language itself! in shaping the self-representations of an age. Zusammenfassung Wounds, Flesh and Metaphor in Seventeenth-Century England explores the theme of physical and symbolic woundedness in mid-seventeenth century English literature. This book demonstrates the ways in which writers attempted to represent the politically and religiously fractured state of the time and re-imagined the nation through language and metaphor in the process. By examining the creative permutations of the wound metaphor, Covington argues for the centrality of the charged imagery, and language itself, in shaping the self-representations of an age. Inhaltsverzeichnis Introduction The Wounded Body Politic Law's Breakages The Wounds of War The Lesions of Love Wounds of the Soul Conclusion Bibliography...

List of contents

Introduction The Wounded Body Politic Law's Breakages The Wounds of War The Lesions of Love Wounds of the Soul Conclusion Bibliography

Report

"Covington's study presents a fluently written and engaging analysis of the imagery of this most bloody, fractured, and scarred period of English history." - American Historical Review"Covington carefully combines contemporary linguistic theory and philosophy of the abject with extensive archival research to demonstrate that metaphor, in Paul Ricoeur s words, 'shatter[s] and increase[s] our sense of reality by shattering and increasing our language.' Likewise, this book increases our sense of the reality of early modern woundedness." - Renaissance Quarterly"Wounds, Flesh, and Metaphor is admirably engaging and thoughtful, bringing a new perspective to study of the civil wars of the 1640s...an investigation of language at the very basic levels of speech and description, but worked through a very contemporary historiographical nexus that leads to a very satisfying study." - The Times Higher Education Supplement
"Covington probes the development of a pervasive and disturbing figure of speech through a broadly informed and richly detailed analysis of key early modern political and cultural texts. Covington's sophisticated comparison of legal tracts, historical accounts, political polemics,spiritual treatises,and amorous verse shows how they all fuse spectacular images of strength and mutilation in a century of civil war andthus perpetuate and transform older ideas of martyrdom and redemptive suffering." - Richard C. McCoy, Professor of English, Queens College and TheGraduate Center, CUNY and author of Alterations of State: Sacred Kingship in the English Reformation
"A fascinating, wide-ranging and - dare I say - penetrating study, combining high theory and close reading with effects so powerful they sometimes distress, even wound." - Diane Purkiss, Keble College, Oxford University and author of Literature, Politics and Gender in the English Civil War

Product details

• Authors: S Covington, S. Covington, Sarah Covington, Covington Sarah
• Publisher: Palgrave UK
• Languages: English
• Product format: Hardback
• Released: 02.10.2009
• EAN: 9780230616011
• ISBN: 978-0-230-61601-1
• No. of pages: 262
• Subjects: Humanities, art, music > Linguistics and literary studies > General and comparative literary studies; B, Literature: history & criticism, European Literature, British literature, British and Irish Literature, Early Modern/Renaissance Literature, Early Modern and Renaissance Literature, Literature, Modern, Palgrave Literature & Performing Arts Collection