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Klappentext Claims authorial intention, art history, and morality play a role in our encounter with art works. Zusammenfassung Countering conventional aesthetic theories that maintain that authorial intention! art history! morality and emotional responses are irrelevant to the experience of art! Carroll argues that all of these factors can play a legitimate role in our encounter with art works. Inhaltsverzeichnis Foreword Peter Kirvy; Introduction; Part I. Beyond Aesthetics: 1. Art and interaction; 2. Beauty and genealogy of art theory; 3. Four concepts of aesthetic experience; Part II. Art, History, and Narrative: 4. Art, practice, and narrative; 5. Identifying art; 6. Historical narratives and the philosophy of art; 7. On the narrative connection; 8. Interpretation, history and narrative; Part III. Interpretation and Intention: 9. Art, intention, and conversation; 10. Anglo-American aesthetics and contemporary criticism: intention and the hermeneutics of suspicion; 11. The intention of fallacy: defending myself; 12. Intention and interpretation: the debate between hypothetical and actual intentionalism; Part IV. Art, Emotion, and Morality: 13. Art, narrative, and emotion; 14. Horror and humor; 15. The paradox of suspense; 16. Art, narrative, and moral understanding; 17. Moderate moralism; 18. Simulation, emotions, and morality; Part V. Alternative Topics: 19. On jokes; 20. The paradox of junk fiction; 21. Visual metaphor; 22. On being moved by nature; 23. Emotion, appreciation, and nature.
