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Zusatztext '...the editors ought to be congratulated on the high standard of the publication. It provides useful information on a wide-range of theories and neo-Victorian novels. Arias and Pulham have handsomely gathered eight essays which demonstrate the enormous critical potential of the tropes of haunting and spectrality in the field of Neo-Victorian Studies. Furthermore! the analysis of these tropes offered in the collection has proved to be a useful tool to expose and problematize both Victorian and contemporary gender! sexual! and social politics. It is for this reason that scholars engaged! not only with neo-Victorian fiction! but also with gender and trauma studies! should find this volume worth reading and inspiring.' - Miscelánea Informationen zum Autor SILVANA COLELLA Associate Professor of English, University of Macerata, ItalyAGNIESZKA GOLDA-DEREJCZYK Lecturer in Contemporary British Literature, Institute of English Cultures and Literatures, University of Silesia, PolandANN HEILMANN Professor of English, University of Hull, UKMARK LLEWELLYN Lecturer in English, University of Liverpool, UKFRANCIS O'GORMAN Professor of Victorian Literature, University of Leeds, UKESTHER SAXEY Visiting Tutor, English and Comparative Literature, Goldsmiths, University of London, UK Klappentext Exploring the pervasive presence of the Victorian past in contemporary culture, these essays use the trope of haunting and spectrality as a critical tool with which to consider neo-Victorian works, as well as our ongoing fascination with the Victorians, combining original readings of well-known novels with engaging analyses of lesser-known works. Zusammenfassung Exploring the pervasive presence of the Victorian past in contemporary culture! these essays use the trope of haunting and spectrality as a critical tool with which to consider neo-Victorian works! as well as our ongoing fascination with the Victorians! combining original readings of well-known novels with engaging analyses of lesser-known works. Inhaltsverzeichnis Notes on Contributors Introduction; R.Arias & P.Pulham PART I: HISTORIES AND HAUNTINGS Salley Vickers, Venice, and the Victorians; F.O'Gorman Spectrality, S(p)ecularity and Textuality: Or, Some Reflections in the Glass; M.Llewellyn PART II: SPECTRAL WOMEN Repetition and Eternity: Spectral and Textual Continuity in Michèle Roberts' In the Red Kitchen ; A.Golda-Derejczyk The Maid, the Master, his Ghost and her Monster: Alias Grace and Mary Reilly ; E.Saxey PART III: SENSING THE PAST Olfactory Ghosts: Michel Faber's The Crimson Petal and the White ; S.Colella The Haunting of Henry James: Jealous Ghosts, Affinities, and The Others; A.Heilmann PART IV: GHOSTS IN THE CITY Haunted Places, Haunted Spaces: The Spectral Return of Victorian London in Neo-Victorian Fiction; R.Arias Mapping Histories: The Golem and the Serial Killer in White Chappell , Scarlet Tracings and Dan Leno and the Limehouse Golem ; P.Pulham Bibliography Index...
List of contents
Notes on Contributors Introduction; R.Arias & P.Pulham PART I: HISTORIES AND HAUNTINGS Salley Vickers, Venice, and the Victorians; F.O'Gorman Spectrality, S(p)ecularity and Textuality: Or, Some Reflections in the Glass; M.Llewellyn PART II: SPECTRAL WOMEN Repetition and Eternity: Spectral and Textual Continuity in Michèle Roberts' In the Red Kitchen ; A.Golda-Derejczyk The Maid, the Master, his Ghost and her Monster: Alias Grace and Mary Reilly ; E.Saxey PART III: SENSING THE PAST Olfactory Ghosts: Michel Faber's The Crimson Petal and the White ; S.Colella The Haunting of Henry James: Jealous Ghosts, Affinities, and The Others; A.Heilmann PART IV: GHOSTS IN THE CITY Haunted Places, Haunted Spaces: The Spectral Return of Victorian London in Neo-Victorian Fiction; R.Arias Mapping Histories: The Golem and the Serial Killer in White Chappell , Scarlet Tracings and Dan Leno and the Limehouse Golem ; P.Pulham Bibliography Index
Report
'...the editors ought to be congratulated on the high standard of the publication. It provides useful information on a wide-range of theories and neo-Victorian novels. Arias and Pulham have handsomely gathered eight essays which demonstrate the enormous critical potential of the tropes of haunting and spectrality in the field of Neo-Victorian Studies. Furthermore, the analysis of these tropes offered in the collection has proved to be a useful tool to expose and problematize both Victorian and contemporary gender, sexual, and social politics. It is for this reason that scholars engaged, not only with neo-Victorian fiction, but also with gender and trauma studies, should find this volume worth reading and inspiring.' - Miscelánea
