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This volume brings together more than thirty of Richard Spear's most important articles and selected chapters from his main books, organized in three sections, Caravaggio and Caravaggism, Italy and France, and Bolognese Painters. The author provides important addenda and retrospective critical reflections on each of the essays.
Contents: Caravaggio and Caravaggism: Caravaggio and His Followers Caravaggisti at the Palazzo Pitti 'The International Caravaggesque Movement' by Benedict Nicolson Stocktaking in Caravaggio Studies The Critical Fortune of a Realist Painter Leonardo, Raphael, and Caravaggio Artemisia Gentileschi: Ten Years of Fact and Fiction Caravaggio's 'Death of the Virgin' by Pamela Askew Saints and Sinners Italy and France: Baciccio's Pendant Paintings of 'Venus and Adonis' Baciccio's 'Venus and Adonis': A Postscript Studies in Conservation and Connoisseurship: Problematic Paintings by Manfredi, Saraceni and Guercino Johann Liss Reconsidered Princeton: Italian Baroque Paintings Notes on Naples in the Seicento The Literary Sources of Poussin's 'Realm of Flora' On the Relationship between Subject and Decorative Modes in Baroque Fresco Cycles A New Book on La Tour 'The French Painters of the Seventeenth Century' by Christopher Wright Reni contre Dominiquin dans la litt¿ture d'art fran¿se du XVIIe si¿e Bolognese Painters: Domenichino and the Farnese 'Loggia del Giardino' Preparatory Drawings by Domenichino The Cappella della Strada Cupa: a Forgotten Domenichino Chapel Bolognese Paintings in Florence A Forgotten Landscape Painter: Giovanni Battista Viola Domenichino's Artistic Personality Domenichino Addenda Re-viewing the 'Divine Guido' Guercino's 'Prix-fixe': Observations on Studio Practices and Art Marketing in Emilia Martyr, Mary Magdalene and Di sua mano from 'The Divine Guido: Religion, Sex, Money and Art in the World of Guido Reni' Guido's Grace Additional Notes Index.
Summary
This volume compiles Richard Spear's influential research on Baroque painting, covering various aspects and artists of the 17th century. It also includes reflections on the state of art history research and key articles from his career, providing valuable insights into the field.
