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Informationen zum Autor Gerhard Schweppenhäuser is Professor of Design, Communication, and Media Theory at the University of Würzburg in Germany. He has written many books building on the sociocultural, analytical mission of the Frankfurt School, including two focused on Adorno. James L. Rolleston is Professor Emeritus of Germanic Languages and Literatures at Duke University. He has written books on Kafka, Rilke, and modern German poetry. His translation of Bernd Witte’s Walter Benjamin: An Intellectual Biography won the German Literary Prize of the American Translators Association. His and Kai Evers’s translation of Peter Weiss’s last play, The New Trial, is also published by Duke University Press. Klappentext ""Theodor W. Adorno: An Introduction" is a useful survey of Adorno's thought. It is concise, written in plain language, and focused on the most important topics and themes of the theorist's work. Gerhard Schweppenhauser gives basic background about the intellectual and historical context of Adorno's thought and writings, and he makes a convincing case for the internal coherence of a complex and at times apparently heterogeneous body of work."--Uwe Steiner, Rice University Zusammenfassung A translation of a succinct introduction to the challenging and far-reaching thought of Theodor W. Adorno (1903–1969), one of the twentieth centurys most important thinkers. Inhaltsverzeichnis Preface to the English Edition vii Translator's Preface xi 1. The Project of Renewing Childhood by Transforming One's Life 1 2. Critical Theory 11 3. Reason's Self-Criticism 18 Defined Negation 20 The Two Faces of Enlightenment 26 4. Rescuing What is Beyond Hope 34 Philosophy from the Perspective of Redemption 34 Primacy of the Object 38 5. The Totally Socialized Society 51 The Concept of Society 52 Liquidation of the Individual 58 Critical Theory on Morality 68 6. The Goal of the Emancipated Society 77 7. The Powerless Utopia of Beauty 91 The Destruction and Salvation of Art 93 The Silence of Music 102 The Transition from Art to Knowledge 109 Theorizing Art and Culture in the Institute for Social Research 112 Benjamin and Kracauer: Theorizing Mass Art 120 Anarchistic and Bourgeois Romanticism: Adorno's Critique of Benjamin 125 The Work of Art and the Concept of Truth 128 8. The Failure of Culture 136 The Radically Pathetic and Guilty Culture 137 Enlightenment as Mass Deception 144 Biographical Timeline 159 Notes 163 Bibliography 171 Index 179...