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Zusatztext "Pollard is brilliant in depicting unofficial forms of censorship! including what he calls the 'McCarthy Code' (Cold War censorship via HUAC and blacklists) and the 'Evangelical Code' (recent protests by 'values voters' and support of films such as The Passion of the Christ! 2004.) An eloquent writer on these issues! Pollard stands on the liberal side of the debate. The book includes an annotated filmography and well-printed illustrations. Recommended."-CHOICE"Tom Pollard's Sex and Violence is a rigorous and comprehensive examination of the hidden history of film censorship in the U.S. Essential reading for anyone who believes in freedom of expression in the arts."-Kirby Dick! filmmaker and Director of This Film Is Not Yet Rated (2006)"Not only does Sex and Violence: The Hollywood Censorship Wars provide a comprehensive and interesting history of censorship in the film industry! but the book also provides an insightful examination of the social! political! moral and ethical issues of this very public industry.-Barbara Boyle! Producer and Chair! UCLA Department of Film! Television and Digital Media"Tom Pollard is a perceptive commentator with a masterly command of film history. This book is both enjoyable and highly informative! a smoothly written romp through decades of Hollywood censorship! strongly recommended to all readers concerned about America's culture wars."-Michael Parenti! author of Contrary Notions and Make-Believe Media Zusammenfassung Examines the history and social dynamics of film censorship in the United States. This book focuses both on formal censorship systems, including state and local censorship boards and industry self-regulation efforts, to unofficial censorship rendered by pressure groups and powerful social movements. Inhaltsverzeichnis Chapter 1 Introduction to Movie Censorship; Chapter 2 Pre-Code Hollywood; Chapter 3 The Hays Code; Chapter 4 The McCarthy Code; Chapter 5 The Valenti Code; Chapter 6 The Evangelical Code; Chapter 7 Code Reform;...
Summary
Examines the history and social dynamics of film censorship in the United States. This book focuses both on formal censorship systems, including state and local censorship boards and industry self-regulation efforts, to unofficial censorship rendered by pressure groups and powerful social movements.
