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Zusatztext “...well-argued and thoroughly convincing.” Informationen zum Autor Alan Tansman is Agassiz Professor of Japanese in the Department of East Asian Languages and Cultures at the University of California! Berkeley. He is the author of The Writings of Kôda Aya! a Japanese Literary Daughter and editor! with Dennis Washburn! of Studies in Modern Japanese Literature: Essays and Translations in Honor of Edwin McClellan. Klappentext "The range of Alan Tansman's coverage is truly prodigious and diverse—from the most obscurantist cultural analysis through mawkish sentimentality and orchestrated nostalgia for the medium past. His scholarship is impeccable: he knows the relevant secondary literature and has absorbed an impressively wide-ranging metacritical literature, which he has used with great originality and authority to untangle the knotted relationship between aesthetic modernism and fascism. He reads difficult texts brilliantly, with seeming and enviable effortlessness and his translations are a joy to read."—Harry Harootunian, University of Chicago "Alan Tansman opens up a new apprehension of the fantastic possibilities of these works through his attention to the senses. He is as much attuned to the specifically rhythmic and tonal dimensions of writing as he is to its visual possibilities. And he has the capacity to evoke these varied sensorial domains in his own (re) writings, which, in their refusal to give up on beauty, critically recapitulate the very dilemma that his object texts stage: the dilemma of beauty within capitalist modernity and its complicity with an aesthetics of unification that often presages violence."—Marilyn Ivy, Columbia University Zusammenfassung Offers a study of Japanese cultural expression. This title reveals how a particular, often seemingly innocent aesthetic sensibility - present in novels, essays, popular songs, film, and political writings - helped create an 'aesthetic of fascism' in the years leading up to World War II. Inhaltsverzeichnis Preface List of Abbreviations Introduction: The Aesthetics of Japanese Fascism 1. Modernist Beginnings: Akutagawa Ryjnosuke and Kobayashi Hideo 2. The Beauty of Violence: Yasuda YojjrQ's "Japanese Bridges" 3. Objects of the Sublime in Literary Writing: Yasuda YojjrQ! Yanagi S_etsu! Kawabata Yasunari! and Shiga Naoya 4. The Rhetoric of Unspoken Fascism: The Essence of the National Polity 5. Sentimental Fascism on the Screen: Mother under the Eyelids 6. An Aesthetics of Devotion: Kobayashi Hideo's Cultural Criticism 7. Filaments of Fascism in Postwar Times Coda: Reading Fascist Aesthetics Notes Index ...
