Shadow Country

Zusatztext “Altogether gripping! shocking! and brilliantly told! not just a tour de force in its stylistic range! but a great American novel! as powerful a reading experience as nearly any in our literature.” —Michael Dirda!  The New York Review of Books “Magnificent . . . breathtaking . . . Finally now we have [this three-part saga] welded like a bell! and with Watson’s song the last sound! all the elements fuse and resonate.” — Los Angeles Times “Peter Matthiessen has done great things with the Watson trilogy. It’s the story of our continent! both land and people! and his writing does every justice to the blood fury of his themes.” —Don DeLillo  “The fiction of Peter Ma­­tthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it.  Shadow Country  lives up to anyone’s highest expectations for great writing.”  —Richard Ford  “ Shadow Country ! Matthiessen’s distillation of the earlier Watson saga! represents his original vision. It is the quintessence of his lifelong concerns! and a great legacy.” —W. S. Merwin  “[An] epic masterpiece . . . a great American novel.” — The Miami Herald Informationen zum Autor Peter Matthiessen has written eight novels, including At Play in the Fields of the Lord (nominated for the National Book Award) and Far Tortuga , and also a book of short stories, On the River Styx. His parallel career as a naturalist and environmental activist has produced numerous acclaimed works of nonfiction, most of them serialized in The New Yorker; these include The Tree Where Man Was Born (another National Book Award nominee) and The Snow Leopard (a National Book Award winner). He was elected to the American Academy of Arts and Letters in 1974. Klappentext This landmark one-volume reworking of Matthiessen's Watson trilogy--"Killing Mister Watson," "Lost Man's River," and "Bone by Bone"--reveals one of America's finest writes at the peak of his career. ERSKINE THOMPSON We never had no trouble from Mister Watson, and from what we seen, he never caused none, not amongst his neighbors. All his trouble come to him from the outside. E. J. Watson turned up at Half Way Creek back in 1892, worked on the produce farms awhile, worked in the cane. Hard worker, too, but it don’t seem like he hoed cane for the money, it was more like he wanted a feel for our community. Strong, good-looking feller in his thirties, dark red hair, well made, thick through the shoulders but no fat on him, not in them days. Close to six foot and carried himself well, folks noticed him straight off and no one fooled with him. First time you seen the man you wanted him to like you—he was that kind. Wore a broad black hat and a black frock coat with big pockets, made him look bulky. Times we was cutting buttonwood with ax and hand saw, two-three cords a day—that’s hot, hard, humid work, case you ain’t done it—Ed Watson never changed that outfit. Kept that coat on over his denim coveralls, he said, cause he never knew when he might expect some company from up north. Might smile a little when he said that but never give no explanation. Folks didn’t know where this stranger come from and nobody asked. You didn’t ask a man hard questions, not in the Ten Thousand Islands, not in them days. Folks will tell you different today, but back then there weren’t too many in our section that wasn’t on the run from someplace else. Who would come to these rain-rotted islands with not hardly enough high ground to build a outhouse, and so many miskeeters plaguing you in the bad summers you thought you’d took the wrong turn straight to Hell? Old Man William Brown was cutting cane, and he listened to them men opining how this Watson feller was so able and so friendly. Old Man William took him a slow drink of water, give a sigh. Willie Brown sai...

Report

Altogether gripping, shocking, and brilliantly told, not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature. Michael Dirda, The New York Review of Books

Magnificent . . . breathtaking . . . Finally now we have [this three-part saga] welded like a bell, and with Watson s song the last sound, all the elements fuse and resonate. Los Angeles Times

Peter Matthiessen has done great things with the Watson trilogy. It s the story of our continent, both land and people, and his writing does every justice to the blood fury of his themes. Don DeLillo

  The fiction of Peter Ma­­tthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. Shadow Country lives up to anyone s highest expectations for great writing.   Richard Ford 

Shadow Country, Matthiessen s distillation of the earlier Watson saga, represents his original vision. It is the quintessence of his lifelong concerns, and a great legacy. W. S. Merwin 

[An] epic masterpiece . . . a great American novel. The Miami Herald

Product details

• Authors: Peter Matthiessen
• Publisher: Modern Library PRH US
• Languages: English
• Product format: Paperback
• Released: 26.11.2008
• EAN: 9780812980622
• ISBN: 978-0-8129-8062-2
• No. of pages: 912
• Dimensions: 133 mm x 203 mm x 40 mm
• Series: MODERN LIBRARY; Modern Library Paperbacks; MODERN LIBRARY; Modern Library Paperbacks
• Subject: Fiction > Narrative literature