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Informationen zum Autor Volker Langbehn (Ph.D. University of Minnesota, Minneapolis, 1998) is Associate Professor of German at San Francisco State University, California. He is the author of Arno Schmidt's Zettels Traum: An Analysis (2003) and has published articles on Friedrich Nietzsche, Christa Wolf, Arno Schmidt, Fritz von Unruh, Novalis and Gert Heidenreich, and the visual representation of German Colonialism. He is the co-editor with Dr. Mohammad Salama of Colonial (Dis)-Continuities: Race, Holocaust, and Postwar Germany (2010). His current book project tentatively titled The Visual Representation of Cultural Identity in German Mass Culture Around 1900 focuses on visual representations of Africa in German mass culture. It is a study of how racism can develop in a modern society through subtle, everyday means, and it explores the negative consequences of race thinking upon the long-term development of German identity. He examines how images of Africa and Africans contained in four types of media – political caricatures in satirical magazines, picture postcards, black-and-white photographs, and illustrated children’s literature – helped foster a racialized German national identity. Klappentext Investigating visual communication and mass culture, print culture and suggestive racial politics, racial aesthetics, racial politics and early German film, racial continuity and German film, and photography, German Colonialism, Visual Culture, and Modern Memory offers compelling evidence of a German society between 1884 and 1919 that produced vibrant and heterogeneous-and at times contradictory-cultures of colonialism. Zusammenfassung Investigating visual communication and mass culture, print culture and suggestive racial politics, racial aesthetics, racial politics and early German film, racial continuity and German film, and photography, this title offers an evidence of a German society between 1884 and 1919 that produced vibrant and heterogeneous cultures of colonialism. Inhaltsverzeichnis Acknowledgements. Introduction: Picturing Race: Visuality and German Colonialism. Volker Langbehn. German Colonialism 1884–1919. 1. Advertising and the Optics of Colonial Power at the fin de siècle. David Ciarlo. 2. "... will try to send you the best views from here" – Postcards from the Colonial War in Namibia (1904–1908). Felix Axster. 3. Harmless "Kolonialbiedermeier"? Colonial and Exotic Trading Cards. Joachim Zeller. 4. Cakewalking the Anarchy of Empire around 1900. Astrid Kusser. 5. Satire Magazines and Racial Politics. Volker Langbehn. 6. Demystifying Colonial Settlement: Building Handbooks for Settlers, 1904–1930. Itohan Osayimwese. 7. Patriotism, Spectacle and Reverie: Colonialism in Early Cinema. Wolfgang Fuhrmann. German Postcolonialism 1919–Present. 8. Persuasive Maps and a Suggestive Novel – Hans Grimm’s Volk ohne Raum and German Cartography in Southwest Africa. Oliver Simons. 9. Colonial Disgust: The Colonial Master’s Emotion of Superiority. Thomas Schwarz. 10. Weimar Revisions of Germany’s Colonial Past: The Photomontages of Hannah Höch and László Moholy-Nagy. Brett M. Van Hoesen. 11. The "Colonial Idea" in Weimar Cinema. Christian Rogowski. 12. "The Black Jew": An After-Image of German Colonialism. Birgit Haehnel. 13. Reenacting Colonialism: Germany and its Former Colonies in Recent TV Productions. Wolfgang Struck. 14. Postcolonial Amnesia? Taboo Memories and Kanaks with Cameras. Deniz Göktürk. Contributors. References. Index. ...
