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Informationen zum Autor Philip Ridley was born and grew up in the East End of London. He studied painting at St Martin’s School of Art. He has written many highly regarded and hugely influential stage plays: the seminal The Pitchfork Disney ( now published as a Methuen Modern Classic ) , The Fastest Clock in the Universe (winner of a Time Out Award, the Critics’ Circle Award for Most Promising Playwright, and the Meyer-Whitworth Prize ) , Ghost from a Perfect Place , Vincent River (nominated for the London Festival Fringe Best Play Award), the highly controversial Mercury Fur , Leaves of Glass, Piranha Heights (nominated for the WhatsOnStage Mobius Award for Best Off West End Production) , Tender Napalm (nominated for the London Fringe Best Play Award), Shivered (nominated for the OffWestEnd Best New Play Award), Dark Vanilla Jungle (winner of an Edinburgh Festival Fringe First Award), Radiant Vermin ( now published as a Methuen Modern Classic ) , Tonight With Donny Stixx, Karagula (nominated for the OffWestEnd Best New Play Award), The Beast of Blue Yonder , The Poltergeist (winner of the OffWestEnd OnComm Award for Best Live Streamed Play) and Tarantula ; plus several plays for young people (collectively known as The Storyteller Sequence ) : Karamazoo, Fairytaleheart, Moonfleec e (named as one of the 50 Best Works About Cultural Diversity by the National Centre for Children’s Books), the seminal Sparkleshark (the first of the Connections Festival plays – all written for young people – to be staged professionally by the National Theatre), and Brokenville; also, Feathers in the Snow (shortlisted for the Brian Way Best Play Award). Klappentext This second volume of Ridley's stage plays confirms him as one of themost imaginative, daring and unique voices currently working intheatre. All four plays collected here resonant with Ridley's trademarkthemes - East London, storytelling, moments of shocking violence,memories of the past, fantastical monologues, and that strange mix ofthe barbaric and the beautiful he has made all his own. Vincent River: '... a grieving mother and a traumatized teenagermeet as adversaries, rough each other up and eventually bond over abarbaric act of cruelty...Ridley asksquestions, lots of them, about how people respond to the loss ofinnocence in their lives, how they hold onto their sanity in the faceof savagery and how they fight to keep the bonds of humanity intact ina mad, mad world.' Variety Mercury Fur: '...depicts a scary, post-apocalyptic London where, intheir struggle to survive, a group of youths are reduced to organisingparties that cater for the most perverted tastes.' Independent Leaves of Glass: 'There is a different kind of murder going on here:the murder of truth that goes on in all families to a lesser or greaterdegree. As with nations, a family's history is written by the victors.' Guardian Piranha Heights: 'The extravagance of Ridley's dark vision suggests adangerously confused society in which individuals seize on randomgobbets of semi-digested information and use them to construct theirown personal narrative.' TheTimes Vorwort This secondvolume of Ridley's stage plays confirms him as one of the mostimaginative, daring and unique voices currently working in theatre. Allfour plays collected here contain that strange mix of the barbaric andthe beautiful he has made all his own. Zusammenfassung This second volume of Ridley's stage plays confirms him as one of the most imaginative, daring and unique voices currently working in theatre. All four plays collected here contain that strange mix of the barbaric and the beautiful...
