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Informationen zum Autor Barbara Hodgdon is Professor of English at the University of Michigan and Ellis and Nelle Levitt Distinguished Professor Emerita at Drake University. Her previous publications include The End Crowns All: Closure and Contradiction in Shakespeare's History (1991), The First Part of King Henry the Fourth: Texts and Contexts (1997), and The Shakespeare Trade: Performances and Appropriations (1998). She was guest editor for a special issue of Shakespeare Quarterly (2002) on Shakespeare films and is currently editing The Taming of the Shrew for the Arden 3 series. W. B. Worthen is Professor and Chair of the Department of Theatre at Barnard College. He is the author of The Idea of the Actor (1984), Modern Drama and the Rhetoric of Theater (1992), Shakespeare and the Authority of Performance (1997), Shakespeare and the Force of Modern Performance (2003), and Print and the Poetics of Modern Drama (2006). He is also the editor of several volumes, including the Wadsworth Anthology of Drama. Klappentext A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies. Essays by major scholars, teachers, and professional theatre makers consider the many sites at which Shakespearean drama is performed: in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms, and as part of a globalized and intercultural performance economy.This companion stands at the cutting edge of the field: several essays introduce current terms and contemporary areas of enquiry in Shakespeare and performance; while others raise questions about the dynamic interplay between Shakespearean writing and the practices of contemporary performance and performance studies. Taken as a whole, the volume productively redraws the boundaries of Shakespeare performance studies. Zusammenfassung A state-of-the-art overview of the rapidly developing field of Shakespeare performance studies. Redraws the boundaries of Shakespeare performance studies. Considers performance in a range of media, including in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms. Inhaltsverzeichnis List of Illustrations ix Notes on Contributors xi Acknowledgments xvi Introduction: A Kind of History 1 Barbara Hodgdon Part I Overviews: Terms of Performance 11 1 Reconstructing Love: King Lear and Theatre Architecture 13 Peggy Phelan 2 Shakespeare's Two Bodies 36 Peter Holland 3 Ragging Twelfth Night: 1602, 1996, 2002-3 57 Bruce R. Smith 4 On Location 79 Robert Shaughnessy 5 Where is Hamlet? Text, Performance, and Adaptation 101 Margaret Jane Kidnie 6 Shakespeare and the Possibilities of Postcolonial Performance 121 Ania Loomba Part II Materialities: Writing and Performance 139 7 The Imaginary Text, or the Curse of the Folio 141 Anthony B. Dawson 8 Shakespearean Screen/Play 162 Laurie E. Osborne 9 What Does the Cued Part Cue? Parts and Cues in Romeo and Juliet 179 Simon Palfrey and Tiffany Stern 10 Editors in Love? Performing Desire in Romeo and Juliet 197 Wendy Wall 11 Prefixing the Author: Print, Plays, and Performance 212 W. B. Worthen Part III Histories 231 12 Shakespeare the Victorian 233 Richard W. Schoch 13 Shakespeare Goes Slumming: Harlem '37 and Birmingham '97 249 Kathleen McLuskie 14 Stanislavski, Othello, and the Motives of Eloquence 267 John Gillies 15 Shakespeare, Henry VI and the Festival of Britain 285 Stuart ...
