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Informationen zum Autor Bella Brover-Lubovsky is Assistant Professor in the Department of Theory and Composition, Jerusalem Rubin Academy of Music and Dance, and a lecturer and reseach fellow in the Department of Musicology, Hebrew University. Klappentext Bella Brover-Lubovsky is Assistant Professor in the Department of Theory and Composition, Jerusalem Rubin Academy of Music and Dance, and a lecturer and reseach fellow in the Department of Musicology, Hebrew University. Zusammenfassung Incorporates an analytical study of Antonio Vivaldi's style into a general exploration of harmonic and tonal organization in the music of the late Italian Baroque. Inhaltsverzeichnis Contents Preface and Acknowledgments Editorial Conventions and Abbreviations Introduction Part 1. Estro armonico 1. Vivaldi's "Harmony" and the Paradox of Historical Recognition 2. Theory of Tonal Organization in Eighteenth-Century Italy Part 2. Key and Mode 3. Tonality and Key Characteristics 4. Modal Implications in Tonal Organization 5. The Interaction of Major and Minor Modes 6. Functioning of Tonality in Large-Scale Composition Part 3. Harmony and Syntax 7. Lament Bass 8. Sequence 9. Pedal Point 10. Cadence Part 4. Tonal Structure 11. General Premises 12. Functioning of Harmonic Degrees in Tonal Structure 13. Tonal Structure and the Choice of Tonality 14. Tonal Structure in Cyclic Compositions Conclusion Notes Bibliography Index
