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Zusatztext "Bringing together this dissimilar group of authors is a major achievement. The complexity of Wilson's theoretical perspective is matched by the complexity of the relationships she intuits among these writers. The clarity of some of the insights in the book is breathtaking." - Carol L. Beran, Professor of English, Saint Mary's College of California Wilson has produced an admirable, eminently useful study that functions on two levels. First, it provides insightful textual analysis of works by Atwood, Doris Lessing, Toni Morrison, Louise Erdrich, Rosario Ferre, Iris Murdoch, Jean Rhys, and Keri Hulme. This is a diverse group of writers, yet Wilson draws convincing parallels and links among the works as feminist, postcolonial, and postmodern texts. Second, the book demonstrates these writers' varying uses of intertextuality, particularly fairy tales such as 'Fitcher's Bird,' 'Bluebeard,' 'Sleeping Beauty,' and 'The Robber Bridegroom' along with myths from a variety of cultures . . . Wilson succeeds in overturning some common biases and misconceptions about contemporary women's literature . . . Highly recommended." - Choice Informationen zum Autor SHARON R. WILSON is Professor of English and Women's Studies, University of Northern Colorado, USA. Klappentext Myths and Fairy Tales in Contemporary Women's Fiction explores contemporary feminist, postmodernist, and postcolonial women writers' use and revisions of fairy tales and myths. With close readings of works ranging from Margaret Atwood to Doris Lessing to Toni Morrison, Wilson examines meanings of myths and fairy tales as well as their varying techniques, images, intertexts, and genres. Although the writers represent several different nationalities and racial, ethnic, and cultural backgrounds, they employ a type of postcolonial literature that urges readers and societies beyond colonization. Wilson argues that the use of myths and fairy tales generally convey characters' transformation from alienation and symbolic amputation to greater consciousness, community, and wholeness, and it is in and through story that characters construct a hybrid way of establishing themselves in the larger world. Zusammenfassung Myths and Fairy Tales in Contemporary Women's Fiction explores contemporary feminist, postmodernist, and postcolonial women writers' use and revisions of fairy tales and myths. With close readings of works ranging from Margaret Atwood to Doris Lessing to Toni Morrison, Wilson examines meanings of myths and fairy tales as well as their varying techniques, images, intertexts, and genres. Although the writers represent several different nationalities and racial, ethnic, and cultural backgrounds, they employ a type of postcolonial literature that urges readers and societies beyond colonization. Wilson argues that the use of myths and fairy tales generally convey characters' transformation from alienation and symbolic amputation to greater consciousness, community, and wholeness, and it is in and through story that characters construct a hybrid way of establishing themselves in the larger world. Inhaltsverzeichnis Atwood's Monstrous, Dismembered, Cannibalized, and (Sometimes) Reborn Female Bodies: The Robber Bride and Other Texts Fitcher's and Frankenstein's Gaze in Oryx and Crake The Writer as Crone Goddess in Atwood's The Penelopiad and Lessing's Memoirs of a Survivor Mythic Quests for the Word and Postcolonial Identity: Lessing's The Story of Colonel Dann, Mara's Daughter, Griot and The Snow Dog and Morrison's Beloved Reading Erdrich's The Beet Queen : Demeter, The Wizard of Oz, The Ramayana, and Native American Myth Silenced Women in Ferre's The Youngest Doll : 'The Red Shoes,' Cinderella,' 'Fitcher's Bird' Enchantment, Transformation, and Rebirth in Iris Murdoch's The Green Knight Bluebeard's Forbidden Room in Rhys's Wide Sargasso Sea Fairy Tales and Myth in Hulme's The Bone People...
List of contents
Atwood's Monstrous, Dismembered, Cannibalized, and (Sometimes) Reborn Female Bodies: The Robber Bride and Other TextsFitcher's and Frankenstein's Gaze in Oryx and CrakeThe Writer as Crone Goddess in Atwood's The Penelopiad and Lessing's Memoirs of a SurvivorMythic Quests for the Word and Postcolonial Identity: Lessing's The Story of Colonel Dann, Mara's Daughter, Griot andThe Snow Dog and Morrison's BelovedReading Erdrich's The Beet Queen : Demeter, The Wizard of Oz, The Ramayana, and Native American MythSilenced Women in Ferre's The Youngest Doll : 'The Red Shoes,' Cinderella,' 'Fitcher's Bird'Enchantment, Transformation, and Rebirth in Iris Murdoch's The Green KnightBluebeard's Forbidden Room in Rhys's Wide Sargasso SeaFairy Tales and Myth in Hulme's The Bone People
Report
"Bringing together this dissimilar group of authors is a major achievement. The complexity of Wilson's theoretical perspective is matched by the complexity of the relationships she intuits among these writers. The clarity of some of the insights in the book is breathtaking." - Carol L. Beran, Professor of English, Saint Mary's College of California
Wilson has produced an admirable, eminently useful study that functions on two levels. First, it provides insightful textual analysis of works by Atwood, Doris Lessing, Toni Morrison, Louise Erdrich, Rosario Ferre, Iris Murdoch, Jean Rhys, and Keri Hulme. This is a diverse group of writers, yet Wilson draws convincing parallels and links among the works as feminist, postcolonial, and postmodern texts. Second, the book demonstrates these writers' varying uses of intertextuality, particularly fairy tales such as 'Fitcher's Bird,' 'Bluebeard,' 'Sleeping Beauty,' and 'The Robber Bridegroom' along with myths from a variety of cultures . . . Wilson succeeds in overturning some common biases and misconceptions about contemporary women's literature . . . Highly recommended." - Choice
