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Zusatztext 'This brief! incisive book is...made up of small! often witty! acts of translation.' - Satish Padiyar! Parallax Informationen zum Autor JEAN-PAUL MARTINON is a lecturer in the Department of Visual Cultures at Goldsmiths College, London, UK. He was the co-founder and curator of Rear Window (1991-1998) an independent arts trust that staged a series of exhibitions and conferences in temporary sites across London. He has published numerous essays in exhibition catalogues and academic journals on museum theory and contemporary French deconstruction. Klappentext This book explores how deconstruction addresses the issue of futurity in the act of writing and translation. It focuses on three French expressions - venue, survenue, and voir-venir - taken from the work of Jacques Derrida, Jean-Luc Nancy, and Catherine Malabou, and offers fresh insights, proposing the possibility of a multiplicity of structures. Zusammenfassung This book explores how deconstruction addresses the issue of futurity in the act of writing and translation. It focuses on three French expressions - venue! survenue! and voir-venir - taken from the work of Jacques Derrida! Jean-Luc Nancy! and Catherine Malabou! and offers fresh insights! proposing the possibility of a multiplicity of structures. Inhaltsverzeichnis Foreword Introduction PART 1: Voir Venir: Catherine Malabou's The Future of Hegel PART 2: Survenue: Jean-Luc Nancy's The "There is" of Sexual Relations PART 3: Venue: Jacques Derrida's Aporias Conclusion
List of contents
Foreword Introduction PART 1: Voir Venir: Catherine Malabou's The Future of Hegel PART 2: Survenue: Jean-Luc Nancy's The "There is" of Sexual Relations PART 3: Venue: Jacques Derrida's Aporias Conclusion
About the author
JEAN-PAUL MARTINON is a lecturer in the Department of Visual Cultures at Goldsmiths College, London, UK. He was the co-founder and curator of Rear Window (1991-1998) an independent arts trust that staged a series of exhibitions and conferences in temporary sites across London. He has published numerous essays in exhibition catalogues and academic journals on museum theory and contemporary French deconstruction.
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'This brief, incisive book is...made up of small, often witty, acts of translation.' - Satish Padiyar, Parallax
