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Informationen zum Autor Michael O'Neill is Professor of English at Durham University. He is currently a Director of the University's Institute of Advanced Study. He has published books, chapters, and articles on many aspects of Romantic and twentieth-century poetry, and received a Cholmondeley Award for Poets for his own poetry in 1990. His latest monograph is The All-Sustaining Air: Romantic Legacies and Renewals in British, American, and Irish Poetry since 1900 (2007). Charles Mahoney is Associate Professor of English at the University of Connecticut, where he is also currently the Associate Director of the University of Connecticut Humanities Institute. He has published on a number of Romantic writers, including William Hazlitt and Leigh Hunt, and is presently at work on a project entitled Revolutionary Measures: Romanticism, Formalism, Criticism . Klappentext Discussing theme, genre, structure, rhyme, form, imagery, and influences, this Annotated Anthology examines the central features of Romantic poetry. The volume introduces key poems from major poets, including Blake, Wordsworth, Coleridge, Byron, Shelley, Hemans, and Keats. Helpful headnotes and annotations provide relevant contextual information and in-depth commentary on a number of carefully selected poems. This invaluable text is easily adaptable as both an anthology and an insightful guide to reading and understanding Romantic poetry. Zusammenfassung Easily adaptable as both an anthology and an insightful guide to reading and understanding Romantic Poetry! this text discusses the important elements in the works from poets such as Smith! Blake! Wordsworth! Coleridge! Southey! Barbauld! Byron! Shelley! Hemans! Keats and Landon. Inhaltsverzeichnis Selected Contents by Theme. List of Plates. Note on Texts and Editorial Method. Index of Themes. Chronology of Events and Poetic Landmarks. Introduction: Romantic Doubleness. Acknowledgements. Anna Laetitia Barbauld! nee Aikin (1743--1825). The Rights of Woman. Inscription for an Ice-House. To Mr. S. T. Coleridge. Charlotte Smith! nee Turner (1749--1806). Sonnet 1 ['The partial Muse! has from my earliest hours']. Sonnet VII. On the Departure of the Nightingale. Sonnet XII. Written on the Sea Shore. - October! 1784. Sonnet XXX. To the River Arun. Sonnet XXXII. To Melancholy. Sonnet XXXIX. To Night. Sonnet XLIV. Written in the Church-yard at Middleton in Sussex. William Blake (1757--1827). from Songs of Innocence and of Experience. (from Innocence). Introduction. The Ecchoing Green. The Lamb. The Little Black Boy. The Chimney Sweeper. Holy Thursday. Nurse's Song. (from Experience). Introduction. The Clod and the Pebble. Holy Thursday. The Sick Rose. The Fly. The Tyger. Ah! Sun-flower. London. A Poison Tree. Visions of the Daughters of Albion. The First Book of Urizen. The Mental Traveller. The Crystal Cabinet. William Wordsworth (1770--1850). Lines written at a small distance from my House! and sent by my little Boy to the Person to whom they are addressed. Simon Lee! the old Huntsman! With an incident in which he was concerned. Anecdote for Fathers! Shewing how the practice of Lying may be taught. Lines written in early Spring. The Thorn. The Last of the Flock. The Idiot Boy. Expostulation and Reply. The Tables Turned; An Evening Scene! on the same subject. Lines written a few miles above Tintern Abbey! on revisiting the banks of the Wye during a Tour! July 13! 1798. The Ruined Cottage. Strange Fits of Passion I have Known. Song: 'She Dwelt among th'untrodden Ways'. A Slumber did my Spirit Seal. The Two April Mornings. The Fountain! A Conversation. Nutting. Michael! A Pastoral Poem. From The Prelude (1805)! Book 1. Resolution and Independence. The World is Too Much With Us. Composed upon Westminster Bridge! Sept. 3! 1803. Ode (from 1815 entitled 'Ode. Intimations of Immortality from Recol...
