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Informationen zum Autor Peter Harrington , a native of Manchester, England, is currently the curator of the Anne S. K. Brown Military Collection at the John Hay Library of Brown University, Rhode Island, USA. He is an authority on artists and war and has written extensively on the subject, including British Artists and War: The Face of Battle in Paintings and Prints (1993), as well as organising a number of exhibitions on war art. Klappentext In the last years of his reign Henry VIII needed a radically modern system of defense to protect England and its newly Protestant Church. Anticipating a foreign onslaught from Catholic Europe after his split from Rome, Henry energetically began the construction of more than 20 stone forts to protect England's major ports and estuaries, whilst modernizing existing fortresses from Hull to Milford Haven. The majority of this was paid for with his new-found fortune plundered from the monasteries, allowing Henry to employ a strong workforce well supplied with materials. Aided by excellent full-color illustrations and a range of photographs and diagrams, Peter Harrington explores the departure from artillery-vulnerable medieval castle designs to the low, sturdy stone fortresses inspired by European ideas. He explains the scientific care taken to select sites for these castles, and the transition from medieval to modern in this final surge of English castle construction. With many of these fortifications still standing today, this is an ideal book for fortification enthusiasts and tourists alike. Zusammenfassung Anticipating a foreign onslaught from Europe after his split from Rome, Henry VIII began construction of more than 20 stone forts to protect England's major ports and estuaries. Aided by illustrations, the author explores the departure from artillery-vulnerable medieval castle designs to the low, sturdy stone fortresses inspired by European ideas.
About the author
Peter Harrington, a native of Manchester, England, is currently the curator of the Anne S. K. Brown Military Collection at the John Hay Library of Brown University, Rhode Island, USA. He is an authority on artists and war and has written extensively on the subject, including British Artists and War: The Face of Battle in Paintings and Prints (1993), as well as organising a number of exhibitions on war art.BRIAN DELF began his career producing artwork for advertising and commercial publications. Since 1972, he has worked as a freelance illustrator on a variety of subjects, and books which he has illustrated have been published in more than 30 countries.
