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Informationen zum Autor By John Szwed Klappentext Crossovers Essays on Race, Music, and American Culture John Szwed "In this collection of thirty-one short articles, essays, and reviews written over a thirty-six-year period, John Szwed consistently displays the extraordinary imagination and ingenuity that have made him one of the most respected scholars in African-American and Afro-diasporic Studies. Crossovers is both a revealing intellectual history of Szwed's development as a scholar and critic, and a unified and integrated argument on behalf of the aesthetic, moral, and political genius of the African diaspora."--George Lipsitz, H-Urban Ranging across genres from the popular to the scholarly, this selection of John Szwed's published essays abides in the intersection of race and art, jazz and rap: crossovers inside and outside the academy. With reviews written for the Village Voice and articles from academic journals, this volume includes essays, commentary, and meditations on James Agee and Walker Evans, Cuban folklorist Lydia Cabrera, Lafcadio Hearn, Melville Herskovits, Josef Skorvecky, Patrick Chamoiseau, pop song writer Ellie Greenwich, and jazz musicians Sonny Rollins, Anthony Braxton, Sun Ra, and Ornette Coleman. Also included are pieces on the prehistory of hip hop, the blues, popular dance instruction songs, tap dance, and African American set dancing; creole writing and creolization; race and culture; and authenticity, representation, nostalgia, and obscenity in American popular culture, with excursions into jazz in Africa, Russia, and Argentina. Written about a country with cultural crossroads everywhere, where the question of race is thoroughly woven into the fabric of society, these essays cross boundaries and shed light on the complexities of American life. John Szwed is John M. Musser Professor of Anthropology and African American Studies at Yale University. He is the author of numerous books, including So What: The Life of Miles Davis and Space Is the Place: The Lives and Times of Sun Ra, and coauthor (with Roger D. Abrahams, Nick Spitzer, and Robert Farris Thompson) of Blues for New Orleans: Mardi Gras and America's Creole Soul, also available from the University of Pennsylvania Press. 2005 | 296 pages | 6 x 9 ISBN 978-0-8122-1972-2 | Paper | $26.50s | £17.50 World Rights | Anthropology, African-American/African Studies, Film/Media Studies, Cultural Studies Short copy: Crossovers brings together four decades of popular and academic writings by folklorist, anthropologist, and jazz scholar John Szwed. Zusammenfassung Crossovers brings together four decades of popular and academic writings by folklorist! anthropologist! and jazz scholar John Szwed. Inhaltsverzeichnis 1. Introduction 2. Musical style and racial conflict 3. Musical adaptation among Afro-Americans 4. An American anthropological dilemma: the politics of Afro-American culture 5. Reconsideration: the myth of the Negro past 6. Reconsideration: Lafcadio Hearn in Cincinnati 7. The forest as moral document: the achievement of Lydia Cabrera 8. Race and the embodiment of culture 9. After the myth: studying Afro-American cultural patterns in the plantation literature 10. Speaking people, in their own terms 11. The lizards fake the fake 12. As it is prophesied, so it used to be 13. Greenwich's good gnosis 14. Free samples: Roy Nathanson and Anthony Coleman 15. Milling at the mall 16. Childhood's ends 17. Sweet feet 18. From "Messin' around" to "Funky western civilization": the rise and fall of dance instruction songs 19. The Afro-American transformation of European set dances and dance suites 20. All that beef, and symbolic action, too! : notes on the occasion of the banning of 2 Live Crew's As nasty as they wanna be 21. The real old school 22...
