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Informationen zum Autor Nigel Alderman is assistant professor of English at Mount Holyoke College. He previously taught at Yale University where he was awarded the Sidonie Miskimin Clauss Prize for Teaching Excellence in the Humanities and the Sarai Ribicoff Award for the Encouragement of Teaching at Yale College. He has published on both Romantic and Modern poetry and is completing a book on British literature of the sixties. C. D. Blanton is assistant professor of English at the University of California, Berkeley, where he teaches modern poetry. He has previously taught at Princeton University. He is currently completing a study of late modernist British poetry entitled Aftereffects, and together with Nigel Alderman he has edited Pocket Epics: British Poetry After Modernism. Klappentext This Concise Companion introduces students to the most important poetic figures, movements, contexts, and trends in post-war British and Irish poetry, providing a much-needed reference point in a sprawling and often contentious field. Written by critics on both sides of the Atlantic and complemented by a general chronology detailing some of the most important writers, volumes, and events of recent decades, these essays provide contexts for critical reading, situating the central issues confronting post-war British and Irish poets within the wider framework of twentieth-century poetry. Zusammenfassung This concise companion introduces students to the most important poetic figures! movements! contexts! and trends in post-war British and Irish poetry! providing a much-needed reference point in a sprawling and often contentious field. Inhaltsverzeichnis Notes on Contributors ix Acknowledgments xii Chronology xv Introduction 1 Nigel Alderman and C. D. Blanton 1 Poetic Modernism and the Century's Wars 11 Vincent Sherry How the experience of continuous war and the collapse of liberalism shape modernist poetry and the twentieth century as a whole, focusing on Ezra Pound, T. S. Eliot, W. H. Auden, and David Jones. 2 The Movement and the Mainstream 32 Stephen Burt How the poetry of the Movement established a dominant and continuing mode in postwar British poetry, with discussions of Robert Conquest's anthology New Lines , Kingsley Amis, Donald Davie, Thom Gunn, Elizabeth Jennings, Philip Larkin, Simon Armitage, Lavinia Greenlaw, Alison Brackenbury, and Peter Scupham. 3 Myth, History, and The New Poetry 51 Nigel Alderman Discusses the reaction of the 1960s and later decades to modernist myth-making and Movement antimodernism, exploring the problem of formulating a historical poetics, with attention to Philip Larkin, A. Alvarez's anthology The New Poetry , Sylvia Plath, Geoffrey Hill, Ted Hughes, Seamus Heaney, and Paul Muldoon. 4 Region and Nation in Britain and Ireland 72 Michael Thurston Surveys the poetry of peripheral nationalisms and regionalisms, concentrating on the oscillation between commitment and irony in Northern Ireland (John Montague, Ciaran Carson, Seamus Heaney, Paul Muldoon), Wales (R. S. Thomas, Tony Conran, Robert Minhinnick, Oliver Reynolds, Gillian Clarke), Scotland (W. S. Graham, George Mackay Brown, Iain Crichton Smith, Douglas Dunn, Raymond Vettese, Tom Leonard, Kathleen Jamie), northern England, and the Midlands (Tony Harrison, Ted Hughes, Jon Silkin, Geoffrey Hill, and Roy Fisher). 5 Form and Identity in Northern Irish Poetry 92 John P. Waters Charts three generations of poets in Northern Ireland, attending to the ways in which problems of identity have generated formal innovation, focusing upon Louis MacNeice, John Hewitt, and Patrick Kavanagh; Seamus Heaney, John Montague, Derek Ma...
