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This book explores how hand-constructed minicomics are made, how they circulate and are stored in readers homes, the affective histories that surround minicomics, and the implications for conceptualizing the subject that writes, draws, photocopies, distributes, reads, and stores minicomics. Mini-Thoughts on Minicomics contains chapters on stapling and archiving but is primarily concerned with xerography and the social contexts in which comics are made using photocopiers. The focus is on US texts and contexts, though minicomics from Britain and elsewhere in the world are also included. Mini-Thoughts on Minicomics is informed by comics history, media archaeology, folklore studies, workplace ethnography, ontology of paperwork, and critical theory, and the book analyzes how creators have reflected on the making of minicomics through published interviews and as depicted in minicomics themselves.
List of contents
Introduction: Please Swipe Card.- Chapter 1: Memory Full.- Chapter 2: Add Staples.- Chapter 3: Paper Jam.- Chapter 4: Cancelled Job.- Chapter 5: Original Size Cannot Be Detected. Conclusion: Log Off?.
About the author
Paul Williams is Associate Professor of Twentieth-Century Literature and Culture at the University of Exeter, UK. In addition to articles on comics published in journals such as
American Literary History
,
Journal of American Studies
,
Studies in the Novel
, and
Textual Practice
, he has written four books:
The US Graphic Novel
(2022),
Dreaming the Graphic Novel
(2020),
Paul Gilroy
(2012), and
Race, Ethnicity and Nuclear War
(2011). He co-edited the collection
The Rise of the American Comics Artist
(2010) with James Lyons.
Summary
This book explores how hand-constructed minicomics are made, how they circulate and are stored in readers’ homes, the affective histories that surround minicomics, and the implications for conceptualizing the subject that writes, draws, photocopies, distributes, reads, and stores minicomics.
Mini-Thoughts on Minicomics
contains chapters on stapling and archiving but is primarily concerned with xerography and the social contexts in which comics are made using photocopiers. The focus is on US texts and contexts, though minicomics from Britain and elsewhere in the world are also included.
Mini-Thoughts on Minicomics
is informed by comics history, media archaeology, folklore studies, workplace ethnography, ontology of paperwork, and critical theory, and the book analyzes how creators have reflected on the making of minicomics through published interviews and as depicted in minicomics themselves.
