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This book challenges the predominant framing of US television as a writer's or producer's medium by suggesting that television directors are a vital component of TV artistry.
Looking beyond a perspective that favors the narrative and economic aspects of television but undervalues the medium's formal elements, the book explores how directors use the visual and aural to contribute layers of meaning that add to the thematic development of television texts. Starting from the belief that television aesthetics partially reveal the ways in which directors (and their collaborators) contribute to the overall thematic development of a program, the author offers five case studies that map out the ways that directors have contributed to television drama throughout the medium's approximately 80-year history. By devoting special attention to the presence and voices of directors from marginalized backgrounds, the book creates opportunities to discuss television from perspectives that emphasize issues of diversity, equity, and inclusion.
This original and insightful work will appeal to students and scholars of television studies, television production and media production, critical media studies, media authorship, gender studies, and race and media.
List of contents
Introduction
Part I: Directors from Other Mediums
1. "Marty": Delbert Mann, Paddy Chayefsky, and Live Television Direction
2. Martin Scorsese:
The Blues,
Boardwalk Empire,
Vinyl, and Celebrity Filmmakers as TV
AuteursPart II: Television Directors from Marginalized Backgrounds
3.
Hill Street Blues: Randa Haines, Gabrielle Beaumont, and Women Directors in Television History
4.
NYPD Blue: Paris Barclay, Blackness, Whiteness, and the Cop Show
5.
The Sopranos: Lorraine Senna vs. David Chase and Pilot Episode Directors
Conclusion: Included in the Picture
About the author
Jonathan J. Cavallero is Professor of Rhetoric, Film, and Screen Studies at Bates College and the Founding Director of the Bates Film Festival. He is the author of
Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino (2011) and the co-editor (with Laura E. Ruberto) of
Italian American Review's special journal issue on "Italian Americans and Television" (2016). His scholarship has appeared in a number of journals including
Cinema Journal/Journal of Cinema and Media Studies,
Journal of Film and Video,
Journal of Popular Film and Television,
The Journal of Popular Culture,
MELUS, and
Diasporic Italy.
