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This book provides an innovative martial history of British culture during the Revolutionary and Napoleonic Wars. It privileges the representation of Scots from the officer class and the contributions of the Highland Regiments, particularly the 42nd, 79th and 92nd. These Regiments were first and foremost Highland in name rather than number, and in spirit rather than substance. It explores the consolidation of the enduring trope of Scots as what would later be termed a martial race , positing military service as one of the dominant occupations during this prolonged and intense period of conflict. The book argues that the visualisation and materialisation of aspects of the Revolutionary and Napoleonic Wars was a formative phase in the military characterisation of Scotland. It therefore seeks to recover a hitherto underwritten chapter of Britain s cultural history which fell between the better-documented Georgian and Victorian periods.
List of contents
Introduction.- Chapter 1: The Scotch were never so national as now The cultural afterlife of the battle of Alexandria 1801.- Chapter 2: Fortunate for his Reputation that he fell Rehabilitating John Moores memory after the battle of Corunna 1809.- Chapter 3: The Scotchmen these men without breeches have the credit of the day at Waterloo Robert Southey 1815.- Chapter 4: Portraiture and the professions The art and historiography of Henry Raeburn.- Chapter 5: The martial portrait.- Conclusion.
About the author
Viccy Coltman is Professor of Eighteenth-Century History of Art at the University of Edinburgh, UK. A leading historian of material culture in Britain in its imperial and colonial contexts, Coltman is the author of three previous books and two edited volumes. Her work has been supported by many fellowships, grants and and a Philip Leverhulme Prize.
