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This work aimed to investigate the permanence, contamination, and displacement of tiles/surface design in old buildings, restorations, and contemporary projects with artistic, cultural, and historical scope in order to analyze new proposals and languages in relation to design and art in Mato Grosso. The relationships between art and design, and vice versa, can be considered within various frameworks, permeated by the presence of hydraulic tiles in the images of works by visual artists and in surface design compositions (in architecture: old buildings, restorations, and contemporary projects). The analysis of the selected works and the design/surface in the compositions bring to light the result of these reflections and reveal the issue through compositional design concepts.
About the author
Designer Rejane Luiza Koppenhagen Wamzer graduated from the Pontifical Catholic University of Paraná (PUC), specializing in Methodology and Didactics of Higher Education (UNIC), and holds a Master's degree in Contemporary Culture Studies (UFMT). She was a sector delegate for design from 2010 to 2012. She has been a professor of Architecture and Interior Design at UNIC since 1991.
