Empire, Extraction and Power in the Festivals of Britain of 1951 and 2022

This Element compares the 1951 Festival of Britain with the 2022 Unboxed Festival to explore both continuities and shifts in the British state's relationship to empire, power and extraction as expressed in celebrations of national culture. The ideological projects underpinning these governments, distanced by more than seventy years, might be seen as fundamentally opposed. Yet approaching this comparative study through a conjunctural analysis focusing on the narrations of British identity and both events' wilful intertwining of technology and art reveals the continuities between both periods, especially as they pertain to historical practices of the imperial state and its far-reaching consequences.

List of contents

Introduction; 1. Bordered identities; 2. Extractive labours; 3. Improvement: land to outer space; Conclusion; References.

Product details

• Authors: Caoimhe Mader McGuinness
• Publisher: Cambridge Academic
• Languages: English
• Product format: Paperback / Softback
• Release: 31.12.2025
• EAN: 9781009461283
• ISBN: 978-1-009-46128-3
• Weight: 250 g
• Illustrations: Worked examples or Exercises
• Series: Elements in Theatre, Performance and the Political
• Subjects: Humanities, art, music > Art > Theatre, ballet; Social sciences, law, business > Political science > Political theories and the history of ideas; Capitalism, DRAMA / General, British Empire, Colonialism & imperialism, Theatre Studies, Political science & theory, United Kingdom, Great Britain, Economic systems & structures, Colonialism and imperialism, Political science and theory, Performance Art, Pageants, parades, festivals