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Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. Trifonova considers several major points in this intellectual history: the development of a dynamic model of the self at the
fin de siècle, the role of photography and film in the construction of psychopathology, the influence of psychoanalysis on the transition from static, universalizing psychiatric paradigms to dynamic styles of psychiatry foregrounding the socially constructed nature of madness, and the decline of psychoanalysis and the aestheticization of madness into a trope describing the conditions of knowledge in postmodernity as evidenced by the transformation of multiple personality and paranoia into cultural and aesthetic phenomena.
List of contents
Introduction, Chapter 1 The Story of Attention: Toward a Dynamic Model of the Self Chapter 2 Photography and the Construction of Psychopathology at the Fin de Siècle Chapter 3 Cinema and Psychoanalysis Chapter 4 Multiple Personality and the Hollywood 'Multiple' Film Chapter 5 Paranoia and the Geopolitical Conspiracy Thriller, Index.
About the author
Temenuga Trifonova is Associate Professor in Creative Arts and Humanities at University College London. She is the author of
Screening the Art World, The Figure of the Migrant in Contemporary European Cinema, Contemporary Visual Culture and the Sublime, Warped Minds: Cinema and Psychopathology, European Film Theory, The Image in French Philosophy, and the novels
Tourist and
Rewrite.
