Read more
Frank Frazetta has reigned as the undisputed king of fantasy art for well over 50 years, the value of his paintings now climbing as high as his fans' admiration. Each year his works break the previous year's auction records, with the cover for Lancer books 1967 Conan bringing $13.5 million in September 2025.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. Self-described as lazy and difficult, he often started a painting the night before it was due, completing it in mere hours, yet delivering a masterpiece-often still wet, but a masterpiece, nonetheless. He started in comics at age 16, including the infamous EC Comics, moved on to film posters, then to Tarzan and Conan pulp covers. Along the way he produced magazine covers for National Lampoon, though at odds with the editors' "hippy politics," made the animated film Fire & Ice with director Ralph Bakshi, and learned to paint left-handed at age 68 after the first of many strokes paralyzed his right hand. As he explained in the 1970s, "I'm very physical minded. In Brooklyn, I knew Conan, I knew guys just like him." Using this first-hand knowledge of muscle and macho he redefined fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before, and their female counterparts as thick-thighed, heavy-buttocked, and pixie-faced, yet still, with their soft bellies and hints of cellulite, believably real. All in all, Frazetta's art is addictive as potato chips, and now available in a compact, attractive and affordable package.
About the author
Dan Nadel ist kuratorischer Leiter des Manetti Shrem Museum of Art der University of California in Davis und veröffentlicht regelmäßig Beiträge in der New York Review of Books und im Artforum. Einige seiner wichtigsten Veröffentlichungen und Ausstellungen sind Peter Saul: Professional Artist Correspondence 1945–1976 (2020), Chicago Comics, 1960s to Now am Museum of Contemporary Art Chicago (2021) und eine in Kürze erscheinende Robert-Crumb-Biografie (Scribner 2024). Nadel lebt und arbeitet in Brooklyn, New York.Das Werk des Künstlers Zak Smith fand in zahlreiche öffentliche Sammlungen Eingang, unter anderem in die des Museum of Modern Art und des Whitney Museum of American Art in New York sowie in die der Saatchi Gallery in London. Smith, der zurzeit in Los Angeles lebt und arbeitet, hat mehrere Bücher verfasst und er schreibt regelmäßig eine Kolumne für das Magazin Artillerie.Dian Hanson ist Herausgeberin und Autorin bei TASCHEN und hat bereits über 50 Bücher veröffentlicht. Neben ARNOLD gehören zu ihren jüngsten Titeln The Art of Pin-up, Masterpieces of Fantasy Art und The Fantastic Worlds of Frank Frazetta.Read here how it all began
Summary
Frank Frazetta has reigned as the undisputed king of fantasy art for well over 50 years, the value of his paintings now climbing as high as his fans’ admiration. Each year his works break the previous year’s auction records, with the cover for Lancer books 1967 Conan bringing $13.5 million in September 2025.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. Self-described as lazy and difficult, he often started a painting the night before it was due, completing it in mere hours, yet delivering a masterpiece—often still wet, but a masterpiece, nonetheless. He started in comics at age 16, including the infamous EC Comics, moved on to film posters, then to Tarzan and Conan pulp covers. Along the way he produced magazine covers for National Lampoon, though at odds with the editors’ “hippy politics,” made the animated film Fire & Ice with director Ralph Bakshi, and learned to paint left-handed at age 68 after the first of many strokes paralyzed his right hand. As he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him.” Using this first-hand knowledge of muscle and macho he redefined fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before, and their female counterparts as thick-thighed, heavy-buttocked, and pixie-faced, yet still, with their soft bellies and hints of cellulite, believably real. All in all, Frazetta’s art is addictive as potato chips, and now available in a compact, attractive and affordable package.
