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An auto-ethnographic account of a choreographic praxis developed outside of a Western framework, which engages with identity, decoloniality and transformation from a feminist perspective. Choreographing Rebellion details the methodologies and thinking-processes employed in the dramaturgy and performance of 24 choreographic works, produced by the author over almost three decades in South Africa and Japan. Drawing throughout on lived experiences and their socio-political contexts, the author''s starting point is the crafting of a signature dance language to respond to the oppressive socio-political system of apartheid in their native South Africa. The second part speaks to choreographies to have come out of Japan, where elements of daily life and principles of Butoh are applied to making dance performance, and uniquely offers a first-hand understanding of Butoh in the line of Kazuo Ohno from a South African perspective. The book concludes again in South Africa, where the author''s experience of Butoh in Japan assimilates into an already existent dance practice, with that synergy enabling new meanings of personhood in a post-apartheid context. Throughout, the book resists binary tropes too often ascribed to dance performances in these contexts (such as descriptions of black v. white, victim v. aggressor, African v. classical dance, community v. high art, or raw talent v. sophisticated technique). It draws on psycho-physical practices and philosophies of the body (such as those of Giorgio Agamaben and Henri Bergson) and argues for the transgressing of human-centric approaches to race, gender and class in our dance practice.
List of contents
Introduction
Chapter One: Briefly Looking Back to Move Forward Prelude to Daai za Lady
Approaching Alternative Identities
Chapter Two: Emergence Dawn: Birth of Daai za Lady
The Revelation of an Animist Spirit: A Matriarchal Chair, Carcasses and Masks
The Political Emergence
Chapter Three: Germination & Growth Improvisation Techniques: Releasing Notions of Self
Japanese Codes of Daily Life: Unbuilding Western Perceptions of Structure
Enacting Love as a Strategy of Resistance
The Otherworldly Attunement of Daai za Lady's Ontology
Chapter Four: Blossoming & Fullness Blossoming: Finding Connections through Difference
Developing New Methodologies in Performance
A Brief Note on Resisting Language
Fullness: Multiple Translations of Daai za Lady and Butoh in South Africa
Chapter Five: And Then. Becoming the Praying Mantis
Following the Lines of Life
Looking Back at Daai za Lady
Dissipation: What Happens Next?
Bibliography
Index
About the author
jackï job has been working as a dancer and choreographer since 1994 and have created more than 70 productions with artists in Africa, Asia and Europe. They are tenured as an academic researcher at the University of Cape Town, South Africa.
