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This volume celebrates Thomas Middleton's legacy as a dramatist, marking the 400th anniversary of Middleton's most contentious work for the public theatres, A Game at Chess (1624). The book offers an assessment of the place of Middleton's drama in culture, criticism, and education today.
List of contents
Introduction: '[P]oore Chronicler of a Lord Maior's naked Truth'? Introducing Middleton's Theatrical Legacy
William David Green, Anna L. Hegland, and Sam Jermy
SECTION 1Critical and Textual Reception1. Our Other Shakespeare? The Legacy and Controversies of the Oxford Middleton
William David Green
2. Creative Marking: Middleton's and Crane's Punctuation in
A Game at ChesseDaniel Yabut
3.
The Puritan's Paper Trail: or, Print, Plays, and Plot-Holes
Sophia Richardson
4. 'I think it was a shirt; I know not well': The Depiction and Deception of Linens in
The WidowLucy Holehouse
SECTION 2Afterlives and Legacies5. Roaring Boys: Assembling Masculinity on Middleton's Stage
Sam Jermy
6. 'Black, wicked, and unnatural': Locating Monstrosity in
The Revenger's TragedyDeyasini Dasgupta
7. The Uses of the Masque in
No Wit, No Help Like a Woman's Across the Seventeenth Century
Sharon J. Harris
8. Vigilante Irony: Middleton's
The Revenger's Tragedy and Modern Media
Mark Kaethler
9. Teaching
The Roaring Girl in a Post-Binary World
Margaret Owens
SECTION 3Practice and Performance10. 'The full scope, the manner, and intent': Questions of Scale and Context in the Royal Shakespeare Company's Productions of
Women Beware WomenPeter Malin
11.
The Bloody Banquet in Performance
Claire Kimball and Charlene V. Smith
12. Reconstructing
The Sun in Aries: An Interview with Beyond Shakespeare
Anna L. Hegland
13. The Afterlives of Thomas Middleton's Civic Pageantry
J. Caitlin Finlayson
Afterword: Hearing Middleton
Tracey Hill
About the author
William David Green teaches medieval and early modern literature at the University of Warwick. He received his PhD from the University of Birmingham's Shakespeare Institute in 2021, for which he considered Thomas Middleton as an adapter of Shakespeare between 1616 and 1623. This research was generously supported by AHRC Midlands3Cities. His work on Middleton has previously been published in
Exchanges and
Theatre Notebook, and in the edited collection
Kingship, Madness, and Masculinity on the Early Modern Stage (2022). He is a Contributing Editor to the online database
Co-Authored Drama in Renaissance England, and is producing a critical edition of
The Unnatural Tragedy for
The Complete Works of Margaret Cavendish.
Anna L. Hegland received her PhD from the University of Kent in 2022. Her research examines the intertwining of rhetoric and action in early modern English theatre during moments of staged violence, and combines textual and practice-based methods to think about enactment and embodiment then and now. Her work has been published in the British Shakespeare Association's
Teaching Shakespeare magazine and the edited collection
Boundaries of Violence in Early Modern England (2023). She is a lecturer and advisor at Carthage College, Kenosha, Wisconsin, and serves as the social media coordinator for the Shakespeare Association of America.
Sam Jermy received his PhD from the University of Leeds in 2022. His doctoral thesis, generously supported by the AHRC's White Rose College of the Arts and Humanities, explored the ways in which masculinities are imagined, staged, articulated, and problematised as intersubjective in Middleton's writings. He has also worked on a public-facing research project with the International Anthony Burgess Foundation on a series of Shakespeare lectures delivered by Burgess in 1973. He maintains an active research interest in the representations of violence, skin, and bruises on the early modern stage.
