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This book traces how manifestations of Latine self-determination in contemporary U.S. theatre and performance practices affirm the value of Latine life theatrical culture.
List of contents
Part 1: Latine Identities1. Make Your Heart Your Face
Juliette Carrillo2. Translating the Literal and Metaphorical Languages of Theatrical Make-believe
Guillermo Reyes3. Down the Yellow Brick Road to Querencia: Brian Quijada's
Somewhere Over the BorderKristin Leahey4. Laughter for Liberation: Latine Comedy in the U.S. American Theatre
Amelia Acosta Powell5. Luisa Capetillo: A Beautiful Anarchy
Magdalena Gómez6. A Good Light: Making the Most of Our Spotlights
Amparo Garcia-Crow7. Ode to Identity
Daniel Jáquez8. The Struggles and Successes of Building an Inclusive Arts/Activist Community on the Border
Samuel Valdez9. Discussing Intersectionality of AfroLatinidad in Entertainment and Performance
Daphnie Sicre10. Permission
Elaine RomeroPart 2: History/Presence11. Latinx Presence in New York's Downtown Arts Scenes 1963-1975
Eric Meyer García
12. "Quinto Festival de Teatro Chicano- Primer Encuentro Latinoamericano: Un Continente, Una Cultura Por Un Teatro Libre y Para la Liberacion:" The Vision, the Plan, the Event
Alma Martinez13. From Latin Cigar Factory Workers/Actors to Latine Pulitzers: Latine Theatre in Florida
Lillian Manzor14. Latine Theatre in Florida
Lillian Manzor15. La Rose: Broadway, 1906 and San Juan Bautista, 1981
Ricardo Ernesto Rocha16. Fornésian Dreamscapes: Navigating Queer World-Making
Melody Contreras17. Su Teatro: Original Sinners and Institution Builders
Anthony J. Garcia18. Pregones/PRTT: Lighting the Spark - For the Love of Theatre
Rosalba Rolón19. He Is the Man that I Am: Nightlife and Legacy in Marga Gomez's
Latin StandardsJavier Luis Hurtado20. "Why do we exist?" Theatre and Placemaking within Southern Arizona's Sonoran Heritage
Marc David PinatePart 3: Communities/ Next Generation21. Creating a Path in Higher Education When There is None
Elizabeth C. Ramírez22. Considering Diasporican Drama
Jon D. Rossini23. Our Ritual, Our Process: A Conversation with Migdalia Cruz
Marissa Chibás24. Topology and the Dramatic Writer
Georgina Escobar25. Resisting Relapse: Positive Identity and Empowerment for Youth on the Frontera
Adriana Dominguez26. The New Old Sound: A worksheet manifesto
Beto O'Byrne27.
Yana Wana: A Dramatic Call to Action for Indigenous Latinx Youth in Texas
Roxanne Schroeder-Arce and María F. Rocha28. The Stranger and the City: Theatre, Democracy, Inclusion
Ana Candida Carneiro29. Articulating A Complete Life: The Queer Pastorelas of Teatro Alebrijes
Javier Luis HurtadoPart 4: World Making30. Mi Cuenta
Krysta Gonzales31. Jornaleros: Art, Labor and Drama
Guillermo Avilés-Rodríguez32. Material Bodies and Object Vitality: Octavio Solis's
Don Quixote and
Quixote NuevoCarla Della Gatta33. Racial Masquerade and Black Latinidades in Rachel Lynett's
Black MexicanJade Power-Sotomayor
34.
Tú eres mi otro yo: The Ecodramaturgy of José Cruz González
Theresa J. May35. Dancing Migration: Trespassing, Borders, and Precarious Crossings in Silvana Cardell's Supper, People on the Move
Amelia Rose Estrada36. Testimonio: Exploring the Latinx Weave in Theatre
Rose Cano37. El Silencio: A Chicana Perspective on Contemporary Latinx Theatre and Performance as Testimonio
Elisa Gonzales38. Erased or Stereotyped: Latine Bisexual Representation in the American Theatre
Maria-Tania Bandes B. Weingarden39. Sonic Resistance and Resilience in Teatro Luna's
Talking While Female and Other ActsMelissa HuertaPart 5: Structures40. The Orange and the Brick: A story about US Latine playwriting
Caridad Svich41. Creating Opportunities: A Latinx Playwright's Journey
Diana Burbano42. San Diego Rep Latinx New Play Festival
Maria Patrice Amon43. Circles Rising: Latina Directors in Community
Estefanía Fadul44. South Texas Playwrights
Jerry Ruiz45. Latinx Theatre: The New Frontier
Henry Godinez46. Crafting Culture on Chicago's Stages
Priscilla Maria Page47. Familism at Work in Latine Theates
Olga Sanchez Saltveit48. Latinx TikTok: Rasquache Theatre Goes Digitial
Trevor Boffone49. The Graying of the Field: How I Survived the Transition from 'New Dramatist' to one Who Is No Longer New
Migdalia Cruz50. A Play is a Poem Standing Up
Marisela Treviño Orta
About the author
Noe Montez is Associate Professor and Chair of Theatre, Dance, and Performance Studies at Tufts University, USA.
Olga Sanchez Saltveit is Assistant Professor of Theatre, Middlebury College, USA; the Co-Artistic and Producing Director, Dogteam Theatre Project; and Artistic Director Emerita, Milagro.