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Climate Theatre examines how distressed environments are portrayed through theatrical and performance arts.
Despite variations in form and location, the volume unites diverse geographical settings through their shared concern with the effects of rising temperatures on land, sea, sky, and beyond. Throughout history, theatre and performance have mirrored society's most pressing moral, ethical, and sociopolitical challenges. Today, various performance traditions-from ritual practices to cultural activism and historical reenactments-are being reassessed for their environmental resilience and ecological consciousness. The collection also showcases innovative contemporary works that position climate as a dynamic and meaningful presence within drama, performance, activism, and art. These contributions reflect the global nature of climate challenges while carefully articulating the nuanced perspectives emerging from different geographical contexts.
This volume will particularly appeal to performance scholars, environmental humanities researchers, climate activists, theatre practitioners, and students seeking to understand the intersection of artistic expression and ecological crisis in our rapidly changing world.
List of contents
Acknowledgements
List of Figures
List of Contributors
IntroductionChapter 1. Climate Theatre:
Thinking about climate and performanceChapter 2. AnthropoScenes on Campus: Ecospheric Knowledge Production, by
Una ChaudhuriChapter 3. Theatre and Climate Change: Constellating a New Lexicon by
Minty Donald and Carl LaveryChapter 4. Hope and Trust in the Future: Human to Nonhuman in Australian Drama by
Peta TaitProvocations in the Anthropocene: More-than-humanChapter 5. The Sea is on Fire: Machinic Crustaceans and Ecological Promises by
Jen Parker-StarbuckChapter 6. Being Prey at the End of the World: Kris Verdonck in Conversation with Lara Stevens about his latest work,
PREY (2023) by
Kris Verdonck and Lara Steven by
Sarah LucieChapter 8. Performing lunar climates by
Felipe CerveraChapter 9. Re-staging Cabinets of Curiosities in the Age of Anthropocene by
Cen LiuEnvironmental violence and inequityChapter 10. Slow Violence in Cherríe Moraga's
Heroes and Saints by
Elin DiamondChapter 11. Urban Ecologies in Performance: from Colonialism to Community in Peter Morin's
Cultural Graffiti and Fast Familiar's
The Strategy Room by
Lisa WoynarskiChapter 12. Mutating Performance: On Monira Al Qadiri's Speculative Petroaesthetics by
Katia ArfaraClimate risk, activism & eco-performanceChapter 13. Performing Fading: Postvisual Dramaturgy in Durational Catastrophes by
Kyoko IwakiChapter 14. Performing Across Time: Jill Orr in Conversation with Peta Tait by
Jill Orr and Peta TaitChapter 15. Dramaturgy for Community Renewal and Environmental Care by
Linda HassallChapter 16. Performing climate activism by
Deborah HartChapter 17. Wilderness Acts: Dorothy Molter and Performing the Boundary Waters by
Eero LaineCulture, community & survivalChapter 18. Hyphenated Thinking in Performance-Pedagogical Prototypes: Maria Lucia Correia's Common Dreams Flotation School and Natural Contract Lab by
Christel Stalpaer's Climate: Eco-utopic Confluences and Contradictions by
Sarah Ann StandingChapter 20. Tacuabé's Bow: Surviving through Absence by
Maria LitvanThe recalcitrant politics of climate changeChapter 21. Climate Control: Gender, Nature, and Stories of the Snow Queen by
Clara WilchChapter 22. It doesn't work. Of course it doesn't work. But it doesn't matter that it doesn't work': David Finnigan's Dramaturgy of Errors by
Milo HarriesChapter 23. Just and sustainable futures: How will we do it? by
Anitra NelsonIndex
About the author
Denise Varney is Professor of Theatre Studies at the University of Melbourne
Peter Eckersall is the Sidney E. Cohn Professor in Theatre at the Graduate Center, CUNY, NY
Jen Parker-Starbuck is Professor of Theatre and Performance at Royal Holloway, University of London