Read more
This book explores the significance of corporeality in literature through a South-South comparison of the works of Colombian author Gabriel García Márquez and Congolese author Sony Labou Tansi. It argues that the body constitutes a basic trope not only in imagining postcolonial power relations but also our (non) being-in-the-world. Organized thematically, the chapters compare these authors novels in relation to the dehumanised body, bodies of war, the dead body, the body in relation to bureaucracy, and the dictator s body. It taps into the growing critical interest in bringing Latin American and African literatures into conversation.
List of contents
.- 1 Introduction.- 2 On Beginning/Ending: In carn ations of Atavism and Apocalypse.- 3 The War Dialectic and the Genealogy of Postcolonial Nationhood.- 4 The Dea(r)th of Life: Writing the Dead Body.- 5 On Visceral Narrations: Borderline Bodies.- 6 The Dictator s Body and the Tropicality of Being.- 7 The Body as (w)hole, the Body as a Wor(l)d.
About the author
Gilbert Shang Ndi is Heisenberg Professor of Comparative Literature and Cultural Studies, University of Bayreuth, Germany.
Summary
This book explores the significance of corporeality in literature through a “South-South” comparison of the works of Colombian author Gabriel García Márquez and Congolese author Sony Labou Tansi. It argues that the body constitutes a basic trope not only in imagining postcolonial power relations but also our (non) being-in-the-world. Organized thematically, the chapters compare these authors’ novels in relation to the dehumanised body, bodies of war, the dead body, the body in relation to bureaucracy, and the dictator’s body. It taps into the growing critical interest in bringing Latin American and African literatures into conversation.
