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The theoretical framework known as Material Religion has emerged as a vibrant and profoundly influential approach within religious studies over the past two decades. Originating in the first decade of the 21st century from currents within cultural anthropology, Material Religion challenges a foundational assumption of much modern Western thought: that matter and spirit - materiality and religion - are fundamentally opposed. Rather than conceiving religion primarily as a system of ideas, doctrines, and beliefs, this framework accords equal significance to behaviours, practices, and objects. It reorients the study of religion towards the physical world, while simultaneously highlighting the capacity of tangible environments to mediate between humans and extraordinary powers.
This volume introduces the insights of Material Religion to the field of Byzantine studies. It presents Material Religion as a new theoretical lens to Byzantinists, who have long explored religious life through behaviours, practices, and material culture, and who have long recognised their significance. A series of case studies - encompassing individual sites, urban spaces, landscape features, and categories of objects - illustrates the relevance and analytical power of the framework across the full span of Byzantine material culture, from Late Antiquity to the Fall of Constantinople, including instances of cultural exchange within and beyond the Empire's heartland.
Material Religion in Byzantium and Beyond will appeal to a broad audience, from students of Byzantium to established scholars who may be unfamiliar with the Material Religion framework.
List of contents
1 Material Religion in Byzantium and BeyondIne Jacobs, Jä Elsner, Julia Smith
Movement of People: Space and Sites Arranged for Performative Human Mobility2
Materializing Motion in the Early Byzantine Church: The Case of the Hama CathedralSean Leatherbury
3
Meeting God in Seventh-Century Armenia: The Role of Monumental Painting in Lmbat and Talin in Liturgy and BeyondVeronika Džugan Hermanová, Ivan Foletti
4
Movement in the Late Antique Religious Landscape of AlahanTroels Myrup Kristensen
Movement of Objects: The Mobility of Artefacts Within their Worlds and to New Contexts5
Non-Indigeneity and the Materiality of "Enclosure": Relics, Statues and Icons in ConstantinopleParoma Chatterjee.
6
Beyond the Borders, Outside the Frame: Translating Presence from Byzantium to the West after 1204Anne Lester
7
Sacred Space Social-Time Machines: Accumulation Value and Material AffordancesAnn Marie Yasin
Objects and People: Reactions, Sensations and Bodies8
Placed Coins in Late Antiquity, or how Archaeology can Uncover Small-Scale Religious TransactionsIne Jacobs
9
Putting on the Lord: The Bosom as a Locus for Private Devotion (seventh-ninth centuries)Francesca Dell'Acqua
10
Assemblage Icons: Composite Forms of Materiality in Byzantium and BeyondDorota Zaprzalska
11
Interactions with the Divine: Material Channels of Power and Social Cohesion through Metalwork in Justinian's EmpireBrigitte Pitarakis
The Natural World12
Cavernous Landscapes in the Byzantine Aegean. Materialities of Cult and Sensorial TopologiesMyrto Veikou
Veronica Della Dora
14
Weather Control and Manuscript Margins in the Early Medieval WestIldar Garipzanov
Coda15
Catching up: Byzantine Reverberations in the Material Study of ReligionBirgit Meyer
About the author
Ine Jacobs is the Stavros Niarchos Foundation Associate Professor of Byzantine Archaeology and Visual Culture at the University of Oxford. She works on Roman and Byzantine architecture and urbanism, the experience and perception of built environments and their ornamentation, the longue durée of display and reception of sites, statuary and artifacts, as well as material religion. She has undertaken archaeological fieldwork in Belgium, Italy, North Macedonia, and Turkey, and has been the Field Director of the Aphrodisias Excavations since 2016.
Jä Elsner is Professor of Late Antique Art at Oxford and Visiting Professor of Art and Religion at the University of Chicago. He has worked all his life on Greco-Roman, early Christian and Byzantine art in the context of changing religious culture and its material phenomena, such as pilgrimage. He has more recently extended his range of expertise in the same themes across Eurasia to look at similar issues in early Buddhist art.
Julia M. H. Smith retired from the Chichele Professorship of Medieval History at the University of Oxford in 2025, before which she held the Edwards Chair of Medieval History at the University of Glasgow. Her research explores the instrumental use of small material objects in late antique and early medieval Christian practice from a variety of perspectives, and offers a new analysis of the origin and growth of relic cults. She also works with palaeographers and materials scientists to explore the practices of writing, wrapping and labelling associated with the curation of relics in the medieval Latin West.
