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This open access book examines the work of the 17th-century Baroque painter, Bartolome Esteban Murillo (1619-1682) - a figure who barely left the city of Seville - as a way of understanding globalization, its consequences, and its limits. Full of saints, friars, virgins, and Christs, or poor people and cheerful picaros oblivious to social injustice, Murillo''s painting has been considered representative of the Counter-Reformation and the exponent of an immobile, even introverted, society that regressed with the ''crisis of the 17th century''. Early Globalization, Spain, and Seventeenth-Century Seville introduces a global perspective by considering the Atlantic art market and developing comparisons with Protestant paintings and an analysis of Murillo''s iconography alongside the social and political theory of his time. Such comparisons and analyses illuminate a different image, emphasizing the idea of a common European path towards modernity, individualism, emotional self-control and social change. The book also examines how Murillo''s contemporaries interpreted his iconography. The study of different ''layers of globalization'', going back to the analysis of the Christian tradition, reveals the existence of political utopias, positive forms of valuing work and an image of the community that, opposed to the development of the speculative economy associated with globalization, would characterize the European history, with all its contradictions. The result is a new and sharper understanding of the tensions created by globalization in the field of art, in the construction of imagined communities, and in social relations in the early modern era. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Pablo de Olavide University, Spain.
List of contents
List of Illustrations
Foreword
Introduction: Seville and Murillo
Part 1 - Seville and Murillo in Atlantic Pictorial Networks1. Art Markets, Colonial Trade, and Painters in a Global City
Part 2 - Between America and Europe2. American Experiences and Sevillian Traditions
3. Globalization and Confessionalization: Family, Women, and Virtue in the Dutch Mirror
Part 3 - Globalization and Seville's Elites4. Passions, Self-Discipline, Religious Conversion, and Family Conflicts: The Theme of the Prodigal Son
5. Self-Representation: Aristocracy, Individualism, and Noble Values
Part 4 - Globalization, Christian Tradition, and Popular Conflict6. Work and Family: A Franciscan and an Artisans' Painter
7. Egalitarian Images, the Moral Economy, and Layers of Globalization in the City of God
Part 5 - Global Contexts and Symbols of Nationhood8. The 'Republic' and the 'Monarchy' of Spain in Sevillian painting: On the Immaculate Conception and Ferdinand III
Conclusion: Murillo, Spain and seventeenth-century Seville
Bibliography
Index
About the author
Bartolomé Yun-Casalilla is Professor of Early Modern History at Pablo de Olavide University, Spain. He is the author of several books, including Iberian Empires and the Globalization of Europe 1415-1668 (2019). He is also the co-editor of American Globalization, 1492–1850: Trans-Cultural Consumption in Spanish Latin America (2021) and The Rise of Fiscal States: A Global History, 1500–1914 (2012).
